Statues and children frame the Eiffel Tower and its watery image. When the Germans occupied Paris, they housed a beacon light in the Tower to guide their night planes. The victorious United States Army requisitioned this landmark as a radar transmission point.
I did not find Liverpool ugly. Her stately public buildings, broad streets, public squares, and noble statues redeem her from the charge.
I'm fat, but I'm thin inside. Has it ever struck you that there's a thin man inside every fat man, just as they say there's a statue inside every block of stone?
It may be that this autobiography [Aimee Semple McPherson's] is set down in sincerity, frankness, and simple effort. It may be, too, that the Statue of Liberty is situated in Lake Ontario.
A visionary company is like a great work of art. Think of Michelangelo's scenes from Genesis on the ceiling of the Sistine Chapel or his statue of David. Think of a great and enduring novel like Huckleberry Finn or Crime and Punishment. Think of Beethoven's Ninth Symphony or Shakespeare's Henry V. Think of a beautifully designed building, like the masterpieces of Frank Lloyd Wright or Ludwig Mies van der Rohe. You can't point to any one single item that makes the whole thing work; it's the entire work-all the pieces working together to create an overall effect-that leads to enduring greatness.
Labor should not be about creating monuments on hills or statues in parks. Labors monuments and statues are when a young person can find a job, when a person with disability can get access to the ordinary life that others take for granted.
I tried to go to Kosovo to establish a statue to commemorate those who died during the wars, and to discuss moving on, so we could move into a new era. But I was banned from there.
Like those statues which must be made larger than "nature" in order that, viewed from below, or from a distance, they may appear to be of the "natural" size, certain truths must be "strained" in order that the public may form a just idea of them.
In a notable family called Stein There were Gertrude, and Ep, and then Ein. Gert's writing was hazy, Ep's statues were crazy, And nobody understood Ein.
The Statue of Liberty is meant to be shorthand for a country so unlike its parts that a trip from California to Indiana should require a passport.
Man himself is an enigma in motion; his questions never stay asked; whereas the mold, the footprint, and by natural extension, the statue itself, like the vaults, the arches, the temples with which man records his own passing, remain immobile and fix a moment of man's life, upon which one might endlessly meditate.
The scope of art is practically boundless; it does not begin and end with the painting of pictures and the modeling of statues; where there is room for workmanship there is room for it.
Ambition sufficiently plagues her proselytes, by keeping themselves always in show, like the statue of a public place.
All over France, in every city there stand cathedrals like this one, triumphant monuments of the past. They tower over the homes of our people like mighty guardians, keeping alive the invincible faith of the Christian. Every arch, every column, every statue is a carved leaf out of our history, a book in stone, glorifying the spirit of France.
In fact some Jews themselves even claim that there should be a statue to Adolf Hitler in Israel because he created the state of Israel...which is absolutely true, without Adolf Hitler Israel woud not exist
Certain I am that every author who has written a book with earnest forethought and fondly cherished designs will bear testimony to the fact that much which he meant to convey has never been guessed at in any review of his work; and many a delicate beauty of thought, on which he principally valued himself, remains, like the statue of Isis, an image of truth from which no hand lifts the veil.
There should be a law that no ordinary newspaper should be allowed to write about art. The harm they do by their foolish and random writing it would be impossible to overestimate--not to the artist but to the public.... Without them we would judge a man simply by his work; but at present the newspapers are trying hard to induce the public to judge a sculptor, for instance, never by his statues but by the way he treats his wife; a painter by the amount of his income and a poet by the colour of his necktie.
Wrap thyself in the decent veil that the arts or the graces weave for thee, O human nature! It is only the statue of marble whose nakedness the eye can behold without shame and offence!
I don't think I'm wrong when I say that the most beautiful objects of the "stone age" were made of skin, fabric, and especially wood. The "stone age" ought to be called the "wood age." How many African statues are made of stone, bone, or ivory? Maybe one in a thousand! And prehistoric man had no more ivory at his disposal than African tribes. Maybe even less. He must have had thousands of wooden fetishes, all gone now.
Sculpture may be almost anything: a monument, a statue, an old coin, a bas-relief, a portrait bust, a lifelong struggle against heavy odds.
For suppose that every tool we had could perform its task, either at our bidding or itself perceiving the need, and if-like the statues made by Dædalus or the tripods of Hephæstus, of which the poet says that "self-moved they enter the assembly of the gods" - shuttles in a loom could fly to and fro and a plectrum play a lyre all self-moved, then master-craftsmen would have no need of servants nor masters of slaves.
One should never become devoted to a teacher, any more than one should become devoted to a statue of a god. There is only one thing to be devoted to, and that is your mind.
We [Americans] know Martin Luther King Jr. as a statue. We know him as a holiday. We know him as a speech. We don't know him as a man. Most people don't even know the whole speech, just "I have a dream." They don't know what his speaking voice was like, how he looked at his wife, or that he had four kids.
It is well known that a loose and easy dress contributes much to give to both sexes those fine proportions of body that are observable in the Grecian statues, and which serve as models to our present artists.
The secret of the nobility and beauty of great ladies lies in the art with which they can shed their veils. In such situations, they become like ancient statues. If they kept the merest scarf on, they would be lewd. Your bourgeois woman will always try to cover her nakedness.
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