I don't see here on this side; but I will see on the other side. I know I'll get to see. I know I'll get to walk those golden streets and I'll get to see Shadrach, Meshach and Abednego; and I'll get to see the Lord. Oh yes I will.
I love watching people, and that's what I do; just go for a walk at about 4 o'clock, and go down a busy street, where you see people coming out of school and you get a glimpse of their lives, what they're talking about.
People are so busy anyway they don't see you or recognise you in the street.
I was miserable in West Side Story. They really miscast me. I came from the Midwest; what they really needed was a guy that was street smart. The first time I saw the movie, I had to walk out. I looked like the biggest fruit that ever walked on to film. My character was so weak.
If I'm going to make music for the streets or the clubs or whatever, I go at it with 110 percent.
I'm a just a mom when I walk down the street.
I come from Main Street, from a small town that's really depressed.
Any kid that feels like they don't have any kind of future, whether they're on a street corner in Harlem or in a little town in Kansas where nothing happens, it's all out there for them. They can do whatever they dream or wish or see on television, or read about in the papers.
They have some pretty tough gun laws in Japan, as they do in any other civilized country in the world, and they're not killing each other off with firearms. You have very violent films in Europe, yet it's not causing the mayhem we see in our streets routinely here.
I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.
My apartment is the equivalent of one room in my Toronto home. Now I understand why New Yorkers are on the streets at all hours. People don't want to stay inside for fear they'll go crazy.
Michael Ralph brilliantly plays the street prophet, a West Indian who foreshadows the Harlem riot.
Usually my characters, though young, tend to be street-wise.
I'm an absolute fan of 1970s New York in films like 'Mean Streets' and 'Dog Day Afternoon.
I'm from the South, where if you walk down the street and there's somebody behind you talking with a Southern accent, you can't tell whether it's a black or a white person.
When I go to Africa and spend more time there with people who are the least of the least, those in desperate situations, I am broken by it. But I also find people with so much more joy and freedom living with nothing than I see walking down the streets of my own community here in Tennessee.
There is a frustration too, that at moments when there's not a coup, when there are not people in the streets, that the country disappears from people's consciousness.
Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.
I never realized that growing up in Brooklyn, flying jets, working on Wall Street and starring in a sci-fi series was the prerequisite for the fast-paced demands of talk radio. But, if that's what it takes to succeed, I'm glad I did it all.
I would teach U.K. parents how to stop their children throwing litter. London is a beautiful city but its streets are disgusting.
The first time I was homeless was when I went to Atlanta. I was in a homeless shelter, then when I got a job I used to miss the curfew for the shelter. So I ended up sleeping outside in the streets.
I'm a writer. I never expected to be recognised on the street. I never expected to get that kind of coverage, good or bad. I never expected to sell as many books as I have.
I went to Floridita on Wardour Street when I was 18. All I could afford was pumpkin soup and a glass of champagne, but it was worth it.
It's a luxury being able to work every day in the streets of Manhattan. It doesn't get much cooler than that. When you move to New York, that's exactly what you dream of. And I'm doing it.
My grandfather played a mandolin, so I got my hands on that. Then on down to a banjo, and I found I couldn't play any kind of soft or mournful music with that so I took up the fiddle in my late 20s or early 30s - and that was far too late. But it keeps me off the streets. It has been a love of mine since I was 17 maybe.
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