In terms of theater, there's not a more supportive theater community than in New York. It's really kind of a real thrill to go there. I mean, don't forget, I'm a boy from the suburbs of Sydney, so getting to New York is a huge, huge thrill.
When I was little, I didn't really travel - from the suburbs to Paris was already a journey. I had a foreigner's eye on the city, and I still enjoy that point of view. Then there's the fact that one of the things that touches me most is injustice.
I've got no dark secrets, I wasn't beaten up, my parents were kind to me and there was a low crime rate where we lived. Maybe that's where the comedy comes from, as some sort of reaction to the safe, boring suburbs.
I'm from Mt. Clemens, Michigan. It's right outside Detroit. The suburbs. I was always very heavily involved in theater back then. I was always in drama club or forensics. Anything that you could do that had some performing, I was doing it.
I don't see the point of having 80 million people online if all they are doing in the end is talking to ghosts in the suburbs.
In an expanding universe, time is on the side of the outcast. Those who once inhabited the suburbs of human contempt find that without changing their address they eventually live in the metropolis.
I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again... the future is just going to be a vast, conforming suburb of the soul.
Some people like neat suburbs. I always am attracted to the rundown and the old and the offbeat.
Life is not living in the suburbs with a white picket fence. That's not life. Somehow our American culture has made it out that that's what life needs to be - and that if it's not that, it's all screwed up. It's not.
But this is the great danger America faces. That we will cease to be one nation and become instead a collection of interest groups: city against suburb, region against region, individual against individual. Each seeking to satisfy private wants.
They're very, uh, you know, I don't come from the suburbs and a jolly, Disney type of lifestyle. I come from something totally different. And they're cool and bare minimum so it's not always a money issue for me.
I was born in a suburb of Paris, and I grew up there until I was 16, so there were always a lot of barbecues, a garden, friends.
The suburb is a place where someone cuts down all the trees to build houses, and then names the streets after the trees.
At night, what you see is a city, because all you see is lights. By day, it doesn't look like a city at all. The trees out-number the houses. And that's completely typical of Seattle. You can't quite tell: is it a city, is it a suburb, is the forest growing back?
I grew up in such a featureless, personality-less suburb. There was nothing to push against.
The vast majority of the guns in the U.S. are sold to white people who live in the suburbs or the country. When we fantasize about being mugged or home invaded, what's the image of the perpetrator in our heads? Is it the freckled-face kid from down the street - or is it someone who is, if not black, at least poor?
I grew up in the suburbs of Chicago, and in spite of what most people might have expected from a young girl growing up deaf, life for me was like one long episode of The Brady Bunch. Despite whatever barriers were in my way, I imagined myself as Marcia Brady skating down the street saying “hi” to everyone, whether they knew me or not.
I was born in a small suburb of Ilford in a rather nasty housing estate that my mother despised. She had grown up in the country, so when the war came and I was evacuated to Wales she thought I was much better off there.
I cannot walk through the suburbs in the solitude of the night without thinking that the night pleases us because it suppresses idle details, just as our memory does.
In Sweden, I went to an English school, where there was a mishmash of people from all over the world. Some were diplomatic kids with a lot of money, some were ghetto kids who came up from the suburbs, and I grew up in between. There's a community of second generation immigrants, and I became part of that because I had an American father.
In most cultures, you can have a kid at 18 and it's not a big thing. It's not like, 'Oh, you've got to get a different haircut and move to the suburbs and act, like, 35.'
The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
I grew up in the suburbs and basically associate the suburbs with cultural death.
I was born in Paris and raised in the suburbs and then lived in the countryside.
I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
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