I am a big nut for kind of weird musicality things. I love key-changes and random tempo things and polyrhythms - music geek.
We created this journey [in the Begin], sonically, that people can really wrap their heads around and live with and get to know us a little bit more. The dark colors, the light colors, our up-tempos, and our down-dreamy stuff.
The Left Opposition declared that the new tempo of industrialization were above our forces, and that the liquidation of the kulaks as a class in the course of three years was a fantastic task, if one wishes to say so, we find ourselves this time "less radical" than the Stalinists.
Tunes have notes and tempos and rules. If the tune is "All the Things You Are," you have to adhere to its structure and to the tradition behind that structure.
People know me for up-tempo songs because of my hits.
Through the years I've accumulated this big bag of songs. When I go out I do close to two hours, and it's all just attitude - and up-tempo. I've accumulated so many of those types of songs now that the show just gets off with a bang, and I'll only do two or three ballads the whole show.
You noodle around with tempo and sound until you get the perfect fit for that particular song, and then, so long as you can sustain it, God is on your side and everything comes easily and even the waiters smile.
At Gatling-gun tempo word-perfect the first time out. the journalistic equivalent of a high-wire front somersault without a net.
Know that the immediate staff and others in the Administration will assume that your manner, tone and tempo reflect the President's.
Every action project you take, whether it be a movie or TV series, is always different and a lot of people don't really know how big a difference it is. It's a different style of fighting, a different tempo and all of that.
I would describe my style for those who haven't listened to my music as definitely..up-tempo. I try to have something nice, something people could dance to. It's kind of hard though to describe my sound in one record because I think when I approach music I try to do something different every day. Do a different vibe.
Sam [Phillips] wanted I Walk The Line up - you know, up-tempo. And I put paper in the strings of my guitar to get that (vocalizing) sound, and with the bass and the lead guitar, there it was. Bare and stark, that song was when it was released. And I heard it on the radio and I really didn't like it, and I called Sam Phillips and asked him please not to send out any more records of that song.
Someone who only wants to play sold-out shows will find a tempo that works at the shows and then focus on making that kind of music, but maybe they'll miss out on other things because of it.
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
There are so many similarities between a startup venture and a political campaign - the rhythm, the tempo, the hours, the intensity.
We live in an age of rapid mass media, television, Internet. They determine our tempo, not books.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
I try to get control of the tempo, control of the flow, and get my teammates the ball in the best position to score.
What makes games so exciting is that's a whole other- there's all sorts of other considerations on what music is supposed to achieve and what you're attempting to support, it's not uncommon to think of your music and to think of the way your orchestra plays for something like Jack and Daxter where you start with- you know because it has to change tempo and intensity as the action gets more intense.
The hardest thing about an easy match is making a weak opponent play poor. A poor player isn't poor because he tends to kick the ball in his own goal. It's because when you put intense pressure on him, he loses control. So you have to increase the tempo of the game and he'll automatically give the ball away.
That's what Tina Turner did, too - sang blues up-tempo - and they called it rock 'n' roll.
'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.
Everybody recommended me to Sinatra and Don Costa, because everybody was enjoying my music. I got a big following going on. Nino (Tempo) told Don Costa "you gotta come see this guy." And that's how Don Costa heard about me, through Nino Tempo. Then, Don Costa brought me to the attention of Frank Sinatra and Reprise Records.
You know One Direction do a lot of up tempo songs, but when they did that Ed Sheeran song 'Little Things,' that was probably their biggest song off their last album, so it shows you that a ballad never goes out of fashion.
You've got to go down the road you naturally go down, and for me it was pop, folk country, just feel-good music. I suppose most of my songs are very up-tempo.
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