The actor who lets the dust accumulate on his Ibsen, his Shakspere [sic], and his Bible, but pores greedily over every little column of theatrical news, is a lost soul.
It's always a risky business inviting somebody on stage. You never know what they're going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
In politics, it's very theatrical. There’s a lot of stage craft. The campaign is trying to tell a story that they want people to believe in, and candidates are playing the role, like actors, by a creative personae that people will be attracted to.
I love festivals because they seem like more of an artsy, supportive attitude - which benefits a more theatrical performer sometimes with having theater and other non-club venues, as well as the audience being filled with other artists. It's nice to be with other comics, as usually at other road gigs, I'm solo for the most part.
All rituals are paradoxical and dangerous enterprises, the traditional and improvised, the sacred and the secular. Paradoxical because rituals are conspicuously artificial and theatrical, yet designed to suggest the inevitability and absolute truth of their messages. Dangerous because when we are not convinced by a ritual we may become aware of ourselves as having made them up, thence on the paralyzing realization that we have made up all our truths; our ceremonies, our most precious conceptions and convictions - all are mere inventions.
A solid theatrical education can only improve a screen performance. It gives you a fuller capacity to read a script and understand a character, for one thing. Its important to alternate between the two activities.
My parents are not theatrical people, but my dad took me to the theater.
Film is limitless, but some stage presentations on film can look too theatrical.
Theatrical success is predominantly two variables: who the distributor is and how much money they spend.
A lot of my shows in the past have been more theatrical than others, but you really get the bug for it when you direct on stage.
There's the beauty of the stage. I don't like filmed theater or opera because you're kind of playing soccer in a hockey game. Either or, they don't do justice to the media and you end up with a hybrid that is purely sensationalistic. Opera is a very theatrical medium that should be seen on a stage with the musicians in the pit in the audience.
I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.
I think "Avatar" is kind of a unique category where people are enjoying the unique theatrical experience even though they may have seen it on the small screen. They want to have that immersive, transportive experience. "2001: A Space Odyssey" played for three years at the Loews cinema in Toronto. I remember that. It just kept playing. People wanted to return to that experience. That may not be the best example because I think "2001" took 25 years to break even.
Growing up, I was the weird, theatrical kid who always tried to make people be in my plays. I've always loved comedy, but when it came time to figure out what I was going to go to school for, my parents were like, "Acting?! I don't think so. No." It took me a while to get the courage to pursue it. I had to do it in secret for a little bit, and then when I got married and was out on my own, I went for it.
I don't think we ever sat down in the early days and said "hey lets be a band that wears make up". I think it was just natural for us. We grew up loving stuff like Alice Cooper, Kiss, The Misfits, and the more theatrical stuff. I always loved rock stars. I loved David Bowie and Freddie Mercury, and these people that were larger than life and iconic. I think that is what we always wanted to do.
I'm very interested in trying to make comedy shows that are a bit bigger, more theatrical, more of a "show." Some people might say I'm trying too hard, but that's a compliment to me. I like to inject a bit of production value and flair to comedy, or at least to my little corner of comedy.
I wasn't creative or theatrical. I was just doing everything. I was head cheerleader, valedictorian - it was ridiculous!
When I started reciting my own poems in public, I worried that it would seem too theatrical, but now I find recitation very natural, because it allows me to address audiences directly.
I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.
Occasionally there are parents who say, "I brought my child so he or she could learn what the career of a writer is like, and you did this long theatrical performance instead, and I'm very disappointed."
The popularity of that baby-faced boy, who possessed not even the elements of a good actor, was a hallucination in the public mind, and a disgrace to our theatrical history.
The kind of people who can assemble huge crowds into one spot will be the major influences on mass culture in the next decade. The rock enthusiasts have created some of the most exciting theatrical events on the planet.
It's almost like I get to be more theatrical when I work in voiceover.
I have walked many times around the world and each time it's different from the last one. It feels a little bit like I am a theatrical director, creating a theatre in space. It's really a theater in the sky. But of course the World Trade Center is certainly the most well-known of my productions.
Mounting those red stairs [in Cannes] is something I've done with a very different intention many times. So it's interesting any time you witness those shifts of perspective. The beach scenes were also fun. It felt very strange and very theatrical to kind of commandeer it and have La Mer booming over the speakers.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: