The first thing I learned was the theme from Peter Gunn.
The theme is the theme of humiliation, which is the square root of sin, as opposed to the freedom from humiliation, and love, which is the square root of wonderful.
The AIDS epidemic has rolled back a big rotting log and revealed all the squirming life underneath it, since it involves, all at once, the main themes of our existence: sex, death, power, money, love, hate, disease and panic. No American phenomenon has been so compelling since the Vietnam War.
I don't want to deal with big, grand themes in my stories; art has nothing to do with themes. When you deal with themes, you are not creating; you are lecturing.
There is a common theme, though, in the stories I have told, which are usually associations of characters or families that are formed outside of a family circle.
I hear filmmakers saying, 'I wanted to make to make a film about this issue, or this theme,' but I never start like that.
Beginning writers are often advised to 'write what you know,' and since I knew about quilters - their quirks, their inside jokes, their disputes and their generosity, their quarrels and their kindnesses - the lives of quilters became a natural subject for me. Quilting wove together my two themes as completely and effortlessly as I could have hoped.
A lot of the themes of my movies, the actual stories, come from tabloid stories.
I began to write a kind of waltz and in a little more than an hour I had the theme written.
Themes recur again and again in my work.
We all perform our lives in a way. And the actor is a perfect metaphor to get at that theme of "how do we find our authentic selves?" And that we all - whether we're actors or not - perform ourselves. As a way of searching. As a way of fumbling around and trying to say, is this my voice? Is this who I am?
I knew I wanted to write on religious themes when I was a GI in World War II. I saw and experienced so much violence that I thought I could express my outrage best with music.
I don't really do themes. I might accidentally, but themes are an emergent phenomena of the writing of the book, of just trying to get a story out there.
This is love: You stop bothering about the universal, the general, get sucked instead into the local and particular: When will I see her again? What shall we do today? Do you like these shoes? Theory and reflection are delicate old uncles bustled out of the way by the boisterous nephews action and desire. Themes evaporate, only plot remains.
It was Sci-Fi and fantasy that got me reading, and Sci-Fi writers in particular have pack rat minds. They introduce all sorts of interesting themes and ideas into their books, and so for me it was a short leap to go from the fantasy and Sci-Fi genres to folklore, mythology, ancient history and philosophy. I did not read philosophy because I set out to become a philosopher; I read it because it looked interesting.
Give me a theme," the little poet cried, "And I will do my part," "'Tis not a theme you need," the world replied; "You need a heart.
A theme that appears repeatedly in the writings of the social critics of the second half of the 20th century is the sense of purposelessness that afflicts many people in modern society.
I have been moving around all my life. Going to different schools, living in different houses, shedding old roles, assuming new ones. This way of life is as natural to me as staying in one place is for other people. I do variations on the theme. I return to places where I used to be. I find my old personas. I try them on. If they still fit, I wear them out to a party or a show. If they begin to restrict my movements, I take them off. I am a human being, capable of mimicking anything I see or remember or can imagine.
It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows.
I worked a great deal then, as you can only do on a set theme, absolved from the obligation to find a new fact, a new subject every day.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
Composition in photography is almost as varied as composition in music or words -- melodic or atonal, safe or daring -- and can enhance subject, theme, and style. Every photograph you take involves you in some compositional decision, even if this is simply where to set up the camera or when to press the button.
Incorporating in their colorful, slashing, superbly readable pages, the major themes of the "left" opposition under Walpole, these libertarian tracts, emerging first in the form of denunciations of standing armies in the reign of William III, left an indelible imprint on the "country" mind everywhere in the English-speaking world.
Improvisation sometimes seemed more like jazz than acting, like verbal jazz, with the actors playing a theme back and forth, and then introducing another theme, incorporating it, somehow trying to work their way all together to a meaning of some kind, or at least a conclusion.
One theme of what I've been writing has been to get people to understand that "apolitical" means "you lose." It doesn't mean you live a utopian life free of politicians' influence. The destruction of the public domain is the clearest example, but it will only be the first.
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