I love Toronto, I have spent a lot of time up there working. There's a lot of stuff going on there.
I think "Avatar" is kind of a unique category where people are enjoying the unique theatrical experience even though they may have seen it on the small screen. They want to have that immersive, transportive experience. "2001: A Space Odyssey" played for three years at the Loews cinema in Toronto. I remember that. It just kept playing. People wanted to return to that experience. That may not be the best example because I think "2001" took 25 years to break even.
If you're going to do a movie about the Village, it's pretty nice to shoot in the village and not be in Toronto.
The nice thing about Toronto is there's not a competition.
I'm an east coaster, you know, I'm brought up in Toronto where it's very much like, kind of a miniature New York in that there's a subway and you're surrounded by people a lot and, you know, you bump into people and you have interactions and you communicate and la la la.
My dad's a prominent theatre director in Toronto, so I grew up in that world, directing and producing theater since I was a teenager. I always loved movies but they seemed too complicated until I got a job as an assistant on a movie-of-the-week and the technical process became demystified, like peeking behind a magician's curtain. Not long after that I switched to movies and never looked back.
I played the drums, and I was in a band called Funkasaurus Rex in Toronto. When I left for school, it became hard to play as frequently.
I am honoured to have the opportunity to follow in the footsteps of my esteemed colleague and fellow poet Mr. Dennis Lee, it will be with pride and passion that I carry forward the mandate of the Poet Laureate position for the City of Toronto and its residents.
I was doing an hour drama on television and a Jackie Chan movie in Toronto, so I was on a plane every three days.
I make my living doing freelance directing for North American television shot in Toronto, series like Alfred Hitchcock Presents, Twilight Zone, and so forth.
The biggest problem with the independent film sector in Toronto is that they find themselves having to make that budget show on screen.
I know what it's like to live in a cold climate. I grew up in the Snow Belt, north of Toronto in Canada, and I did years and years of running outside.
I feel entirely grateful and appreciative of being able to make something up and do it, and I'm very grateful how well it's gone. I'm a guy from Toronto who just wanted to be an actor since he was eight so it's all kind-of crazy. Shrek has been wonderfully successful, it did really well in the States, and so it's magical to me, still. I'm still that kid from Toronto.
For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.
I had dropped out of theater school after six months and was just staying on my mom's couch at home in Toronto.
I went to the University of Toronto for a year, and I'm always trying to get across what university is really like.
Kensington Market is a must visit place in Toronto.
I had spent years working in radio at different stations in Toronto; I wasn't in the stage company of Second City.
But I know that in Toronto and Vancouver there are all the comforts of America, and yet there's a difference in the people, and I had health care.
I bought a house in LA, hanging out there and spending a lot of time in Toronto, but not much.
I have a movie coming out called Spun, which will be at the Toronto Film Fest.
I'll be vilified if I shoot a film in Toronto for New York. And rightfully so!
I grew up as a fairly poor kid in, you know, Toronto, Canada. I don't think I owned any new clothes until I was, like, 15 or something. They were all second-hand and forged from paper.
(Canada) - the most parochial nationette on earth ... I have been living in this sanctimonious icebox ... painting portraits of the opulent Methodists of Toronto. Methodism and money in this city have produced a sort of hell of dullness.
I literally finished 7th Heaven, went up to Toronto, and started SAW. So, it was definitely a little mind change.
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