I don't actually like touring.
I've done every kind of touring known to mankind. I've played the big and the small places.
Getting on the bus and touring was my life. And when that was not around, I felt myself a bit lost at times, because that was all I had.
I tend to write better when I'm not touring.
I used to make albums because I wasn't touring, and so I thought, "This is the best way for people to find out about me.
These people shred. That's what I was saying about Nashville-you can go to an open mic night at the Holiday Inn and probably see more talented musicians than the ones touring. When we first came down here I was like, "Wow I'm glad we didn't cut our teeth down here, there's so much competition." You're being challenged constantly because you're surrounded by these amazing musicians.
At 17, I signed a recording contract right out of high school, so I started touring and traveling the world. I sort of missed out on the college experience.
The UK is one of the places that has always been an advocate of my music and I spend a lot of time touring here. I've got family and friends over here, but more than that, there's a large Jamaican community and the Jamaican culture is very widespread in the UK which I love.
Touring is a young man's game, but after 30 years of it, I want to stay home.
In the crazy world of touring, if something gets stuck at customs, I can do a show with just my amp!
I am touring in Europe. I am putting together a trio and a quartet. I am playing solo concerts with my symphonic sounds. I am very much engaged back to playing and recording and everything.
When you're an artist, you can only do your own stuff. Even if you only write for other people, you're really more focused on yourself. So while everybody's out touring, I'm working on records.
I toured Ontario in the winter of '48, in a touring company of The Drunkard, in which I played the bartender.
When I moved to New York, I felt very strong emotionally and mentally. Aside from touring, I'd spent a couple of years alone and because of that, I was able to go out in the world again.
On tour, I'll get up at 5 p.m. and go to bed at 8 in the morning. With fishing, it's the exact opposite. Fishing is the only healthy thing I do. Touring is such a grind; it's the opposite of healthy.
The juxtaposition between fishing and touring couldn't be greater.
It's hard if you're just touring constantly. It's like, "What am I going to write about? I'm in the van, I'm playing another show..." I'm still writing about heartbreak that happened years ago. I don't see the point of writing and putting out another record until I can do something else.
Songwriting is the other weight on the opposite side of the scale from touring. They balance me out creatively.
It is folly alone that stays the fugue of Youth and beats off touring Old Age.
After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.
When you're touring, you're working from the moment you wake up to the moment you got to bed. Sometimes you make up fun drama, because it can get a little boring, but that's all light-hearted fun so that's different.
It's something that I know how to do because I taught for a very long time, so I can do it, and I feel a responsibility to do it - for instance, in this situation, where I'm touring specifically for this period of time. But most writers are not public people. There are a few writers out there who really enjoy it and are good at it, and can both work and do that at the same time, but I'm not one of those people.
I think its more interesting to play a place where no one really knows you, but I think touring is also great.
I realized that I don't like touring. I'll never complain about it because no one wants to hear about a relatively successful musician complain about the hardships of staying in a hotel.
By the fourth or fifth record there was not a lot of time to sit around. We [The Replacements] stopped rehearsing. We stopped getting together and rehearsing. We'd perform, and that would take it all out of us. Then we'd be done touring and we'd be sick of each other. We'd never call each other up and hang out.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: