Touring and promoting and recording take a lot of time, it's just getting the right balance that's important.
I only look at things in a short term of a few years, but admittedly, I reevaluate what I'm doing, and whether I want to continue touring or not.
I had so much fun touring the Grand Canyon area with the Sierra Club. I love to get outdoors and enjoy nature. We went kayaking, mountain biking, hiking, and even rode mules. To do all these things in one of the most stunning natural areas in the world just made it more amazing. I don't believe that anyone can see the Grand Canyon area for themselves and not know that we have to do everything we can to protect it for future generations.
Touring is always important to me. It's like a big IOU to my fans, because I know they are the reason I exist.
Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a big film industry - another reason why I'm thinking about living in California.
Over the last couple of years, I've really worked toward balancing my life out more, having a little bit more time with friends, family and my boyfriend. There was a period of time when they were way down the list. It was all about music and touring and if everything fell by the wayside, so be it.
The thing people don't understand is that touring or travelling or whatever you do in my position means you go to all these cool places all over the world, but you see everything from a car window. You don't get to see much of the city or meet people at all.
Whereas for me, touring tends to be a very strange and isolating experience.
We'll have these people hang out with us while we're doing our touring, and talk to them and let them speak their piece to the world.
There was an enormous amount of pressure when my first album took off, and I struggled with the speed of everything and the exhaustion from the constant touring.
My dad's family were political and he was always a theatrical creature, whereas my mum is really musical and her father was the touring pianist with Nat King Cole. My family was an explosive mixture of politics, religion and music - no wonder I turned out how I did.
I love touring - I don't do it as often as I should.
Touring is tough. You're almost in a haze because you don't really know where you are half the time: You're in a hotel room one moment, and the next thing you know, you're onstage performing for 60,000 people, then you're back on an airplane. It's very hectic and I couldn't do it without my family.
When I was 13 or 14, I took seven months off from touring. I did a lot of weekend gigs in Louisiana. We have fairs and festivals every weekend. But I took seven months off. That's when I really started digging deep. I wrote a couple songs that year that I still play every now and then for people.
I've had this terrible stomach problem for years, and that has made touring difficult. People would see me sitting in the corner by myself looking sick and gloomy. The reason is that I was trying to fight against the stomach pain, trying to hold my food down. People looked me and assumed I was some kind of addict.
I mean, what's great about touring is that's what you do. You're in a constant state of motion and then you stop to do a show and you move onto the next city. All you have to do is do the show. That's the only responsibility that you have.
I don't really know what 'selling out' is exactly. I would sell out if I could, but nobody's buying it. I would love to go mainstream, but my comedy is too edgy. It's always too dirty. It's always too filthy. I'm dying to sell out. But I love doing comedy, I love touring, and I think I would do everything for free.
The problem with touring isn't the traveling and the shows, it's the vegetal state you get into.
My best artist friend is definitely Jason Aldean. He and I really get along great and are really great friends. It's fun to tour with a buddy and somebody that I just enjoy hanging out with. If we weren't touring together, we'd be hunting in the off-season still and knocking around doing stuff, certainly.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
I like touring extensively because I think the more hours you spend onstage, the more you know who you are onstage.
Touring and putting out records is fun and cool, but I've been doing it for a long time.
After I quit my band, I definitely was so full, like I'm so full I could never eat again. I had that kind of feeling where the elements, like the touring stuff, were harder for me and I definitely felt fine not experiencing it again.
It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
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