Even the sad roots songs have a lot of good stories to them, and the murder ballads are good too. I mean, who doesn't like to watch a nice gory murder film on TV?
Acting is what I love to do.I understand the differences between the different formats. But I enjoy whether it be film, TV or in the theater.
Unlike other books or TV shows or sometimes life, my narrative worlds are stripped of implicit moral centers. There is only what you bring. That makes the characters risky in every way and the narrative, a journey of change for the reader. But I make the journey as fun as I can.
I have a phobia of checking voicemail. I watched a lot of TV as a kid, and everything is, like, you're gonna get kidnapped, or somebody's gonna die, or killer bees are going to take you out. I'm a very anxious person.
The Shield made me realize there were great opportunities for writers in TV.
Fiction and screenwriting blend for me. I feel like being a TV writer/screenwriter has definitely made my fiction writing better, although I have less time to do it.
Silver rights aren't as dramatic and captivating as civil rights. The movement isn't good TV and it's boring or inaccessible to many people. The forums were created to spread awareness, dialogue, and community to forge new partnerships and ideas.
TV show is always challenging. It's challenging when you have all of the time and money in the world, and it's more challenging when you have less money.
There was a TV show called Thank Your Lucky Stars, with the catchphrase "I'll give it five!" The Beatles and Stones were so popular when they were on it. One week The Beatles were number one and then the Stones were right on their heels.
I feel connected with people because of their sense of humor, worldview, and what they think and feel about certain existential issues (things not affected, in my view, by if someone rides a horse or drives a car or talks only IRL or only by typing), not how old they are, what they use to convey what they think and feel about certain existential issues, or if we have both watched the same TV shows or looked at the same websites.
As journalism dies, I kind of feel like I want some skills besides writing. I'd like to be able to write movies or host TV shows or whatever. Things that I might actually not inherently like quite as much, but are interesting and fun things to do. A good backup plan.
In fact, when it comes to TV, I'm not even sure what my real, true preferences are.
Just as it's unfair to review a taco stand for not being a four-star restaurant, I also have to be mindful that not every drama on TV is trying to be "The Wire."
[Make a sitcom] was really the idea of Executive Producer Joe Roth who owned the property over at Revolution Studios and said he was thinking about taking it to TV. And after he said that he already had [writer/director] Ali Leroi on board, and that he was going after Terry Crews, to me it was a no-brainer. I said, "Let's put this together!"
When I talk to people who have teenagers now, their rooms are filled with screens. There are their phones and their DVD players and TVs and all these things to produce distractions for them, and I think it would be hard to find the time to create something. I think that's really changing something about adolescence.
In my whole life, I've never vomited from seeing something disgusting. Does it really even happen, outside of movies and TV? I believe it may be a myth.
The craziest thing about TV directing is I turned in a version, and then they made their final changes - so I don't know what they are. So I'm like, "Ooo, I'm dying to see the final print."
Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
I definitely felt frightened [on Skyfall], but never in danger, because they were always so careful about everything. Some of the driving, particularly on that road around the sheer-drop cliff was actually done by stunt driver Ben Collin, who is otherwise known as The Stig from the TV show Pop Gear. He's a brilliant drive, nonetheless, it was terrifying to be careening along when a wrong turn would mean a thousand-foot drop and you're not in control and you want to slow the car down.
There are so many shoot-'em-up, action, jingoistic TV shows and movies that are made every year. I think the final line is that Hollywood is populist.
It's important for me to play women who can overcome adversity, make change, and take control of their lives. I think it's a great time for women in TV and film in general, and I want to help tell these stories.
I don't have a passion for TV or movies or acting. I have a passion for wrestling and I find it hard to leave that for TV and movies. But if it is a thing that is a short amount of time I would consider it, but wrestling is what I love to do!
As a kid, I loved my Matchbox cars, my Big Wheels, and the race cars on TV. When I laid eyes on my first go-kart when I was just five, it gave my desire for making things with wheels go fast a focus. This combined with the fact that I've been incredibly competitive since a young age made for the proper mix of passion and aggression to become a race car driver.
I like working on the house, small carpentry stuff. I also like working on the van. That's about as quiet as my mind gets, I think. I always loved working on the How's Your News? TV show and at Camp Jabberwocky too.
I'm really starting to learn the value of silence and meditation. I keep my sanity in the middle of a hectic day by taking some me time or sometimes watching a guilty pleasure on TV, doing absolutely nothing, or just hanging out with friends and family. They keep me grounded and centered.
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