I'm not really a job-type person, where I go do a nine-to-give. I have to be with the work at all times and experiencing it.
The best stories you usually hear are stories that people feel some type of urgency about.
There is no more "front" and "rear" where Fobbit-types would go to hide out in safer locations. In Iraq and Afghanistan, you engaged in a theater of operations that's 360 degrees at all times.
I've probably overused this analogy of a flock of birds moving around an object in flight, but, in reality, it's so simple, real time communication of individuals that allow for this super organism type of organism to happen.
There are a lot of people in this world that listen to wide ranges of music and there should never be a CERTAIN type of music that any artist should be confined to, in my opinion.
The sad thing is that somehow, it is a type of event that mirrors the artist. You take it into account, and you're reminded in this specific case what the artist's work is about, what his life is like, and how life mirrors art.
I need to do a concert to celebrate David Bowie's electronic music. And in so doing, I'm not taking a step back, I'm taking a step forward and presenting it in its entirety so people can understand this type of visionary.
People still tweet me like, "Oh my god, I just found out you guys are married!" Which makes sense to me because I'm not the type of person who is like, "I love this actor, let me find out everything about their lives."
Love is at once the most creative and yet simultaneously destructive force in the world, and thus, in our lives. And I don't mean the Hallmark sentimental type of love, although that is part of it. But a deeper obligation that we have to each other: the obligation to reflect our humanness at each other, to reflect back the things others show us and we, them.
Frank [Zappa] always wanted to do a sound library - he sampled so many great musicians. For piano, for example, he sampled every octave, not just one (that you could just transpose electronically), and he did all different types of attack, with and without pedals, all that kind of stuff.
Woody Allen, that was a dream come true, although I never really talked to him. Auditioning was fun, because you don't really hear much about the script. They just said, "They want a Woody Allen type," so of course I got the call.
One of the reasons I like to hang out with scholarly types is they can do a broad reach conceptualization of things that is astonishing to me. I'm really good at the particulars but I have to do an immense amount of critical thinking to make something larger of it.
I'm hyper-aware of my last name and it's lack of Derby or Horowtiz-esque sonorousness. Moffett sounds like a type of couch cushion. I guess I'm hoping to start a wave of first-name usage.
I don't like to use the words "real women," honestly. I like to use the word woman. And I say that because there are so many women out there who are naturally thin, or are naturally curvy, and I think when we start putting a label on the type of woman it gets misconstrued and starts to offend people. At the end of the day we just all want to be known as women or models or actresses or whatever.
I always love some sci-fi and any type of post-apocalyptic world idea.
We have seen and do see the type of evil that is within human civilization, and the Holocaust took place in European history during an advanced state of technology and form of civilization, only to become an event in that history that questioned what civilization actually means.
In writing the book I wanted to make it very clear that I feel prostitution should be decriminalized. But some people might have breezed by those aspects that others took the time to notice. In All I Could Bare, I hope I relate in a conversational way how stripping is a lot like other types of work.
Different types of sex work are differently supportive. If I were working in a strip club, I would be competing with my colleagues, and while there would be support, there would be financial motivation not to offer too much support.
I started playing the acoustic guitar for more singer-songwriter type stuff. I bet if I would have gotten more approval for my "rock playing", I might be a world class shredder.
I think somebody like Wes [Anderson] has a very good sense of style and is original. I think my sense of style got a little bit better after I was exposed to you guys at Valentino. Because I'm just in Hawaii and Malibu; it's just kind of T-shirts and surfing-type stuff.
One of the people I've always wanted to emulate in pursuing that dream was Meryl Streep, in terms of the different types of roles she's been able to play and the number of different stories she's been able to tell.
I honestly believe that all of my work have the type of impact that will allow me to create some unique opportunities.
I'm not the type to generalise about an entire generation. I think the most general thing I can say, is that things are way more dispersed, and way more de-centralised than they were twenty years ago. I don't really feel like people talk about my generation the way people would talk about Generation X in their early 90's when Nirvana blew up. I feel like there was an easier, more coherent narrative to find, than you can now.
I have different routines for different types of chaos. When I find myself swamped with work and surrounded by people, I try to carve out time to walk my dog alone so I can organize my thoughts.
I always tell my mom I don't have regular problems. I have problems, like, what type of girl is going to say they're pregnant by me today? Those are the types of issues I have.
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