I was so urban-centric once. I did not want to see a patch of grass. I did not want to look at a tree. I didn't want to be anywhere near a sparrow, or a squirrel, or a pigeon, because I just wanted to be consumed by the asphalt-jungle aspect of New York.
Louisville is a place with no labels. It’s not the South, it’s not Chicago, and you don’t think of it as you think of New York or LA. It has some Southern romanticism to it, but also a Northern progressivism, this weird urban island in the middle of the state of Kentucky that has always provided a fertile, often dark, bed. For us, Louisville and the surrounding areas are the center of massive creativity and massive weirdness. The place has its flaws: You move away, but you’re always going to come back.
I'm a farm boy from Connecticut, and I adopted urban life.
I'm influenced by the music of the '60s. It's a mishmash of everything. To me, psychedelic can be all the way to a DJ. House music can be very psychedelic. 'Flying Lotus' is very psychedelic. Even though it's urban and technological, it's also mind-expanding, anything-can-go mishmash.
Claudia Rankine's Citizen comes at you like doom. It's the best note in the wrong song that is America. Its various realities-'mistaken' identity, social racism, the whole fabric of urban and suburban life-are almost too much to bear, but you bear them, because it's the truth. Citizen is Rankine's Spoon River Anthology, an epic as large and frightening and beautiful as the country and various emotional states that produced it.
I read more books for research purposes, whether its a fictionalized biography of Johannes Gutenberg or a stack of urban fantasies.
I am a member of a small, nearly extinct minority group, a kind of urban lost tribe who insist, in the face of all evidence to the contrary, on the sanctity of being on time. Which is to say that we On-timers are compulsively, unfashionably prompt, that there are only handfuls of us in any given city and, unfortunately, we never seem to have appointments with each other.
In his second term, [Ronald] Reagan completed the work of his first term - the rich got really rich, everything was deregulated, advocacy programs were quashed, the Savings and Loan program was trashed, the deficit was tripled, unions were busted, Housing and Urban Developing was in shambles, banks were closing, the military got lots of new toys, the religious right was strong, and AIDS was ignored.
Automobile is one of the most successful inventions of all time, but in my view, it is thoroughly obsolete already. And so by fundamentally rethinking the automobile, thinking of it as a robot on four wheels, essentially, something that can communicate with other intelligent devices, it can operate in a coordinated way, you can really start to fundamentally rethink urban personal mobility.
Most automobiles spend about 80 percent of their time sitting around doing nothing. They're gasoline powered; they go to very high speeds, which in fact, under urban conditions, you don't need. These high speeds generate enormous safety requirements and so on and so forth. Now you can incrementally tweak the automobile. You can make the power train more efficient and you can enhance safety and all of these sorts of things that are very worthwhile.
There is no magical solution because urban traffic congestion arises from the fact that a lot of people want to be in the same place at the same time often.
I liked the more sophisticated urban style of blues like Ray Charles and B. B. King, Bobby Blue Bland, Lou Rawls; people like that with more of a tendency toward jazz.
Kindness is a virtue neither modern nor urban. One almost unlearns it in a city. Towns have their own beatitude; they are not unfriendly; they offer a vast and solacing anonymity or an equally vast and solacing gregariousness. But one needs a neighbor on whom to practice compassion.
the search for the ultimate skyscraper goes on. ... At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
New York has been, and will continue to be, a magnet for people from all over the world. This is where the arts, business, research and technology converge to create the world's foremost urban economy.
To ignore [the] great social facts -- political facts, if you please -- and over-emphasize the old moral responsibility of the 'domestic' mother is a hollow mockery and betrays a hopeless ignorance of industrial and urban conditions in the Twentieth Century. ... Everything that counts in the common life is political.
The Urban Literate Southern California Sub-Group of the Early Atomic Period has not yet produced a distinct body of folk music of its own.
I'm a big Urban Outfitters girl, and Forever 21 - I don't think labels make fashion. I think it's your own style, what you put together.
The Six Faces of the future are: Fast, Urban, Tribal, Universal, Radical and Ethical.
What you cannot conquer, circumvent but do not compromise yourself for the sake of the urban jungle, because concrete does not sympathise.
Survival in more primitive ages required constant alertness, but survival in today's mechanized world almost demands that we turn off our senses. In urban life especially, there is too much to see, hear and smell.
The present Indian government, however, is neither able or willing to accept the challenge and to provide the leadership in breaking the resistance of urban and rural interests.
With Urban Secrets, I just really liked the idea of wandering around chatting to people.
Directors who have inspired me include Billy Wilder, Federico Fellini, lngmar Bergman, John Ford, Orson Welles, Werner Herzog, Stanley Kubrick, Alfred Hitchcock, Francis Ford Coppola and Ernst Lubitsch. In art school, I studied painters like Edward Hopper, who used urban motifs, Franz Kafka is my favorite novelist. My approach to film stems from my art background, as I go beyond the story to the sub-conscious mood created by sound and images.
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