I think the value of venues like CNBC is that they give investors an opportunity to reevaluate the situation minute by minute, but maybe we don't need to follow the market so closely.
Today's terrorists are pursuing a distinct route. They are increasingly attacking civilians in symbolic targets, such as those of economic importance, or venues of bustling life like public transportation or entertainment, like nightclubs.
I headline concert halls for 20,000 people, but I still play smaller venues.
I still play jazz, and I've always got that trumpet very handy, but I'm coming to feel the classical venues are where my main focus is, in the realm of symphonic pops.
Europeans really provided many venues over there and hailed the jazz artists, and a lot of musicians went over there and stayed over there for a long time. A lot of them moved over there, lived over there, and died over there.
I don't like public venues. I never know what to wear.
Be curious, learn and read as much as you can about food. Don't worry about making money. Focus on learning at various venues before you settle down for a steady position.
When you play a smaller, more intimate venue, you can have real conversations with your audience, take risks, and stay current. You can also change the set list, on how the day feels or how the audience reacts. When you do arena shows, every arena looks and feels the same. You can't see who is in the room.
Money is but one venue for generosity. Kindness is an even more valuable currency.
Once you been performing on the streets you can conquer any venue.
The large venue gives me the thrill that comes from the power in numbers.
I love the intimacy of venues like the House of Blues. When everyone is packed in and so close to you, it makes you play differently. It's so much more fun to play because there's so much more high energy in a place like that.
The reality is there is only each present moment: You are called to give a talk. You get out of a building and into a car. You look out of the window. You arrive at the venue. You sit in the chair; you wait; you step out onto the stage. Every movement is simple. There is only that.
It's just trying everyday to do the best you can and to enjoy what you have with the mixture of the venue and the sound and the crowd.
Fiorello LaGuardia saved City Center. The real man saved it, and he made this building into a performing arts venue.
One of the great myths in America is that sports build character. They can and they should. Indeed, sports may be the perfect venue in which to build character. But sports don't build character unless a coach possesses character and intentionally teaches it. Sports can team with ethics and character and spirituality; virtuous coaching can integrate the body with the heart, the mind, and the soul.
When you have these van tours, you drive six hours with the doors closed and windows rolled up. You pull into the venue, check into the cheap hotel you can afford, eat whatever is there, sleep, wake up, and repeat. You're not really participating in the community.
I love festivals because they seem like more of an artsy, supportive attitude - which benefits a more theatrical performer sometimes with having theater and other non-club venues, as well as the audience being filled with other artists. It's nice to be with other comics, as usually at other road gigs, I'm solo for the most part.
It's depressing a little when you don't see outside the tour bus and underground in a stadium. If you go outside near the venue there are lots of fans everywhere so you can't just have a minute to enjoy the sunshine alone and think.
In this world we live in, racism is alive and well in all venues. We immediately categorize people, and that's just not right.
Every show, every audience is different, and I just love leaving the venue feeling like we all know each other a little bit better.
I will definitely start in small venues, as I want to find my feet as a performer; the first shows that Westlife did was ten dates at Wembley, which was just crazy. We didn't have a clue what we were doing because it was so big.
I want to try to apply my abilities sometimes to make families happy, so I have to make movies at a venue that are not gratuitously violent, that are not using bullets and bloodshed, but are using things like magic and fantasy and enchantment and the imagination. To me that's just all positive stuff. But I am eclectic and I still like to make movies for the midnight audience as well.
Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
Any live venue where there is alcohol served and it's past midnight there is gonna be fights. It doesn't matter if it's Hip-Hop, Rock or Jazz.
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