I will definitely start in small venues, as I want to find my feet as a performer; the first shows that Westlife did was ten dates at Wembley, which was just crazy. We didn't have a clue what we were doing because it was so big.
Blues artists now try and stay in a box. Back in the day at all the clubs you would see James Brown, Jimi Hendrix, The Isley Brothers, Little Richard and Etta James all play the same venues. It was a mix of funk, soul, blues and rock 'n' roll.
I remember going to Shibe Park, Connie Mack, when I was a kid with my dad and my mom. I felt more neighborhood-esque. And I like the idea, and I love the new downtown ballparks. I love when the venue is situated in a vibrant part of the urban setting.
Using human rights commitments more effectively, either as part of negotiations in the WTO or as part of the trade policy review process, poses issues of equality in a practical venue.
I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.
People put clips of me up. There are quotes from me. I've written books, of course. I'm on Twitter. There are dozens of ways to consume my offerings, and a lecture in a large venue is really only just one of them. So I have no concerns about how much access people would have to me no matter what is the capacity of your pocketbook.
My popularity does not derive from me pandering to people. People came to me. I don't tell anyone to follow me on Twitter. I don't tell people to like my Facebook page. I don't tell people to fill the venue. I'm offered to people, and then people come.
I think there is more comedians now than ever, more venues now than ever. There are stand-ups who live in towns where they don't have many comedy clubs where they are organizing more comedy nights in bars. I just think this is a fantastic time for stand up.
The way the music industry is now geared, it's fewer accolades towards new and upcoming acts. New bands offer bright creativity. It's a set format. A venue would rather hire a DJ than a band, and that's a problem.
What I often do in my work is to take a great story, such as the Odyssey, the search for the Grail, the story of Jesus, or the story of the great peacemaker who helped create the Iroquois Confederacy in the 15th century. I then use these tales as templates upon which to weave psychological and spiritual exercises which allow us to open ourselves up to the larger venue of a story.
Fiorello LaGuardia saved City Center. The real man saved it, and he made this building into a performing arts venue.
One of the great myths in America is that sports build character. They can and they should. Indeed, sports may be the perfect venue in which to build character. But sports don't build character unless a coach possesses character and intentionally teaches it. Sports can team with ethics and character and spirituality; virtuous coaching can integrate the body with the heart, the mind, and the soul.
I want to try to apply my abilities sometimes to make families happy, so I have to make movies at a venue that are not gratuitously violent, that are not using bullets and bloodshed, but are using things like magic and fantasy and enchantment and the imagination. To me that's just all positive stuff. But I am eclectic and I still like to make movies for the midnight audience as well.
Any live venue where there is alcohol served and it's past midnight there is gonna be fights. It doesn't matter if it's Hip-Hop, Rock or Jazz.
It's depressing a little when you don't see outside the tour bus and underground in a stadium. If you go outside near the venue there are lots of fans everywhere so you can't just have a minute to enjoy the sunshine alone and think.
Sometimes you'll play, like, a large venue - maybe an outdoor venue or something - where it's so big that you can see all of the disinterested people. You see the audience, but then behind the audience you see people eating ice cream, going for a walk.
In this world we live in, racism is alive and well in all venues. We immediately categorize people, and that's just not right.
When you have these van tours, you drive six hours with the doors closed and windows rolled up. You pull into the venue, check into the cheap hotel you can afford, eat whatever is there, sleep, wake up, and repeat. You're not really participating in the community.
Every show, every audience is different, and I just love leaving the venue feeling like we all know each other a little bit better.
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