I have never cared very deeply about the actual taste of my work. Let its essential odor satisfy my mind and senses, and I am content. I rarely judge by the grosser test of actual gustation ... in cooking, to create a masterpiece for the nose alone - that is exquisite, that is Art!
Poetry is a tree with very deep roots and while there may be excitement about this or that new little branch, you're not going to make anything original by just doing whatever's being rewarded at the moment.
All mysteries of human experience that are eliminated when we understand that we are a great deal more than our body and when you look very deeply at who and what the soul really is, who and what God really is.
Where I grew up in the North-east, the community there, and the way people relate to one another, goes very deep. But I don't define myself as a Northerner in that I don't live in the North.
There is always more in one of Ramanujan's formulae than meets the eye, as anyone who sets to work to verify those which look the easiest will soon discover. In some the interest lies very deep, in others comparatively near the surface; but there is not one which is not curious and entertaining.
I think everybody knows that Africa is in a very deep crisis. There is economic misery and social deprivation and that Africa needs help but the question then is how. And also we have to make sure that we don't repeat old mistakes; this help is only short term. It doesn't address Africa's long-term fundamental needs and how to put Africa on the right track to development. What Africa needs to do is to grow, to grow out of debt.
I think the obstacle for women is that their lives are intertwined with the lives of men. Change at the very deepest level of one's daily life and one's being is required if women are to be really equal.
[Charlie Parker] was kind of a sponge and intrigued by it all.That's similar to what Phil [Woods] told me about Bird, too. Like he was into cooking. He was just into a lot of things. Yeah, it's about dealing with bebop and jazz and Trane [John Coltrain] and post-Trane and knowing the history. But you've got to live. You have to experience things. Know something in this world. So it was a very deep education about what it means to try and be an artist.
I think that the drama of people rising up demanding their own freedom is one that resonates very deeply with America. I think that President Barack Obama has tried and would like to find a way to relate to the Arab Spring, but I think he also wants to be, rightly, very careful that we don't take it over. It is very important that they own this. He is trying to influence it this way but without, "We're so never going to go to the extreme of Iraq and putting boots on the ground again."
We are a new nation conceived in liberty, and dedicated to the proposition that all men are created equal. That's what makes us Americans. When we sign onto that belief, we sign onto the core American identity, and that's very deep in us.
Democracy in many parts of the world is undergoing a very deep crisis. Politics is becoming a branch of the entertainment industry. People vote not for the best leader, but for the funniest candidate.
I think what happened with 9/11 is that people sort of felt that it came from nowhere. Whereas I think now we understand the roots are very deep. I say it's like revolutionary Communism, something that is going to have to be knocked out over a very long period of time. This strain of extremism continues to be very strong, whether it's in Afghanistan, or Somalia or Yemen, or any of these places.
I've learned to become a progressive man because I have four women in my life. And their mother, who I'm not married to anymore, but who impresses me because of our relationship. Because we have a very deep and friendly relationship that is completely about who we really are now. Before it was husband, wife, mother, father. But now it's about who we are as human beings. Because we didn't give up on each other. And because we didn't hurt each other and blister each other from a divorce. We became tight. Best friends. And more than that even, because now we're best parents.
I have four daughters, the eldest is 19, the youngest is 12, and I watched all of them journey into motherhood. Motherhood is very deep. It starts when you're very, very young. Now, my 12 year old comes in, wants to put me to bed. And she'll, you know, put her hand on my forehead and say the prayer with me. As for years I've done for her! It's almost like a very beautiful, natural transition.
I found that the death penalty - and I'm not a hot-button issue person, you know, I'm not a single issue person - but what I think drew me to the death penalty is because it raises some very deep, fundamental questions like: Is anybody beyond redemption?
I've had very deep relationships that lasted for long periods of time with people - you could almost call them marriages, even though I didn't marry. But it was costly.
It may very well be that people in San Francisco don't think we have any culture in Nebraska, but we have a different culture, and it's a very deep culture. We have these Czech immigrants, who are making this marvelous ethnic food and their Catholic lives and it's very fascinating stuff.
I don't tell a story unless I have a very deep bench. If you tell an idiosyncratic story, there's no resonance. People read it and say, "I don't see anyone like that." So I tell a story only when I have many stories behind it.
Playing a TV character for seven years is almost like when you do a play. You live, breathe, and everything else with that character 24-7 for six months or four months or whatever, and that gets very deep in your blood. When you do a TV character for seven years, that's a long time. It becomes a seminal era in your life.
There's a common threat facing all of us - Christians, Jews, and Muslims - and that is the Antichrist. It's a very deep subject, and it's a horrendous thing to contemplate. Someone will appear who is, in fact, the opposite of what he appears to be. Some people will believe in him, and that's really frightening. In Islam, there's a belief that Jesus will return to destroy the Antichrist, which is something many people don't know about the Islamic faith.
In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.
I do believe that our ability to jam the Trump brand is somewhat limited. I think we can chip away at it, but ultimately the way to undermine the Trump brand is a better product in the political marketplace, if you'll forgive the capitalist metaphor. I do think that the negative messaging on Trump is severely limited because he is tapping into a very deep, and in many a rightful, desire for deep change, and a feeling that the whole system is so broken and so corrupt that you might as well raise a middle finger as some kind of act of agency.
Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.
The desire for story is very, very deep in human beings. We are the only creature in the world that does this; we are the only creature that tells stories, and sometimes those are true stories and sometimes those are made up stories. Then there are the larger stories, the grand narratives that we live in, which are things like nation and family and clan and so on. Those stories are considered to be treated reverentially. They need to be part of the way in which we conduct the discourse of our lives and to prevent people from doing something very damaging to human nature.
I traveled around America and then at nineteen, went to Europe and hitchhiked from London to the Himalayas in India. I studied various forms of Christianity, Judaism, Islam, and in India, various forms of Buddhism and Hinduism. Eventually, I came to the path of unconditional love and devotion to the one God, who in our tradition we call Krishna. I met my guru and became a swami. This allowed me to share that gift, which I consider to be a very deep universal expression of compassion.
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