Without will, without individuals, there are no heroes. But neither are there villains. And the absence of villains is as prostrating, as soul-destroying, as the absence of heroes.
Debt, weve learned, is the match that lights the fire of every crisis. Every crisis has its own set of villains - pick your favorite: bankers, regulators, central bankers, politicians, overzealous consumers, credit rating agencies - but all require one similar ingredient to create a true crisis: too much leverage.
There are as many kinds of missionaries as there are human beings. There are the terrible, colonialist power-grabbers, still, and there are plenty of the sort of well-intentioned villains who do great harm and don’t understand that they are doing great harm.
I can't judge the characters I play, because it's for the audience to do. What I can try to do is to understand and embody what were they going through? How did they make the decisions they made? That to me is a more interesting way to approach something, rather than saying this person is a villain and that person is this and - because it's not very interesting to play that anyway.
I like to believe that everyone is born with the same skill set, and that it is the influences that one comes upon. What he hungers for is definitely going to be affected by what he got or didn't get in those years when he was forming his psyche and his values. So I think villains are made.
I'm not for the villains, I'm only for the princesses. I mean it's fun to have Jafar [Aladdin cartoon villain] or whatever; I didn't even remember their names 'cause they're not important to me.
Villains can often be one note and I would say in that case, it’s not fun to play the villain. It’s fun to play the villain if he a) has dimension and b) the villain gets to do all the things in the movie that in life he would get punished for. In the movie, you’re applauded for them if you do them with panache. And so that’s why it’s more fun to play the villain.
Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.
Both villains and heroes need to have a steadfast belief in themselves.
Don't seek to be a person of fame, for even villains can be famous. Instead, be a person of value. Fame fades but value is honored.
In 22 years of acting, I've only done two movies where I, personally, kill people. The Coens called me the Spanish Ballerina on (the No Country For Old Men) set, because every time I had the gun, when they called cut, I'd give it back and say, 'Take this s**t out of my hands!' There were laughing, like they couldn't believe I was supposed to be the villain.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
One reads the truer deeper facts of Reconstruction with a great despair. It is at once so simple and human, and yet so futile. There is no villain, no idiot, no saint. There are just men; men who crave ease and power, men who know want and hunger, men who have crawled. They all dream and strive with ecstasy of fear and strain of effort, balked of hope and hate. Yet the rich world is wide enough for all, wants all, needs all. So slight a gesture, a word, might set the strife in order, not with full content, but with growing dawn of fulfillment. Instead roars the crash of hell.
So, Im thinking of a name for a villain that has a sense of humor. I thought of The Joker as a name, and as soon as I thought that, I associate it with the playing card, as my family had a tradition of champion playing; my brother was a contract champion bridge player. There were always cards around the house.
Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production.
Don't take our word for it. Read the Bible itself. Read the statements of preachers. And you will understand that God is the most desperate character, the worst villain in all fiction.
You can't do a movie without villains. You have to have something for the heroines or anti-heroines to be up against, and I wasn't going to contrive some monstrous female, but even if this were the most men-bashing movie ever made-let all us women get guns and kill men-it wouldn't even begin to make up for the 99% of all movies where the women are there to be caricatured as bimbos or to be skinned and decapitated. If men feel uncomfortable in the audience it is because they are identifying with the wrong character.
people who pay greater respect to a wealthy villain than to an honest, upright man in poverty, almost deserve to be enslaved; they plainly show that wealth, however it may be acquired, is, in their esteem, to be preferred to virtue.
You don't encounter anyone who is not hero or villain of their own story. If it's man vs. self, you have to explore the ways each character is villainous and heroic.
I like when people question if the characters are really villains or protagonists. These types are very interesting to write about.
For me it's the same thing if the fans boo or not, because my role is the villain. I'm happy when you clap me though.
There is always something about the villains that I'm able to play, quote unquote, that isn't villainous.
I'd love to play Neil Kinnock. Because of my ginger hair, I thought that was a possibility. He's a hero and a villain in most people's eyes, but I'd like to do that, I think I'd be right for it.
You need the villain. If you don't have a villain, the good guy can stay home.
I'd love to be some sort of villain in a big-budget action movie. Or a superhero franchise. That'd be rad.
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