I was very inspired by my mother. She was a vocal teacher and sang in a band, and my first memories of her were going out with her on the local circuit.
The music I want to hear in my head sounds somewhere between Jimi Hendrix and Massive Attack. It's not really like my dad, but there will always be similarities because we have the same vocal cords, and I learnt the guitar the way he taught me.
For a young band about to make a record, make sure you get the vocals right.
Anyone you give a ton of money to is going to go slightly crazy. I don't think comedians are particularly special in that regard; they just are better or more vocal in their expressions of their craziness.
Celebration is big for me. From my younger days, when I used to win mementos while playing basketball, I have always believed in sharing my success. It has to be there. It lifts the energy levels of the entire side if you are positive and vocal when a wicket falls.
I love accents, I would love to find more characters with a variety of vocal intonations. It creates a character. It’s like you're singing a song. Some people find their character through walking or movement — for me, voice is one of the ways I find parts of the character.
I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band - individuals, not session musicians.
There are so many intellectual and moral angels battling for rationalism, good citizenship, and pure spirituality; so many and such eminent ones, so very vocal and authoritative! The poor devil in man needs all the support and advocacy he can get. The artist is his natural champion. When an artist deserts to the side of the angels, it is the most odious of treasons.
In vocal prayer we speak to God; in mental prayer he speaks to us. It is then that God pours Himself into us.
I'm really not vocal and expressive, but I'm starting to get more comfortable to open up.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
We are so vocal about what we hate.
the present Western civilization ... is dominated by the extravert viewpoint. There are plenty of reasons for this domination: extraverts are more vocal than introverts; they are more numerous, apparently in the ratio of three to one; and they are accessible and understandable, whereas the introverts are not readily understandable, even to each other, and are likely to be thoroughly incomprehensible to the extraverts.
We need somebody that can unify a country in spite of a vocal powerful media that's intent on division. It's not about winning the media. It's about winning the people, and I don't think it's necessarily persuasive to eat - to cannibalize yourself. I think that you have to pick the winner.
If I think about most of America, and maybe I'm terribly wrong...but I think most of America would say that they're not in favor of gay marriage. But there is certainly a large cohort, not a majority but a large number of people, who are articulate and vocal and they'd rally behind this. They're making their opinion known.
I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.
It was way out in the woods in a beautiful, huge log studio. Keith Richards came in and did the vocals with Levon. Again, a big party, but we did get a good cut out of it.
When the established members of academia start becoming vocal as to how poor your art is, then you know you're on to something.
For most of the projects I've worked on, I've been entrusted with some degree of musical responsibility, even if it's just like coaching for vocals and stuff.
It was my dream for years... to train. Dominic [Cooper] went and he's doing alright. But some people don't go and do brilliantly. Although I think there are things I missed from not having trained. I think I'd be more confident on stage had I gone because I think it means you're equipped with better vocal training and things like that.
For any producer I've ever worked with, their toughest job is to convince me to not to obscure my vocals. A lot of people don't like the sound of their own voice on, like, cassette tape or something. It's like that for me, and other songwriters I know. Like, "Oh God, that's what I sound like?"
No silver saints, by dying misers giv'n, Here brib'd the rage of ill-requited heav'n; But such plain roofs as Piety could raise, And only vocal with the Maker's praise.
The work resembles a breech delivery-one which is expressed in rhythmic lurches, stabs of phrase and vocal ornamentation designed to express agitation rather than decorative grace.
Interesting characters are troubled characters. The only problem I've had in my business is very few people - unfortunately, very vocal - confusing the difficult role that I play with me. I play these guys, but I'm not like them. I've been accused of being difficult to work with.
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