Letters are signs of things, symbols of words, whose power is so great that without a voice they speak to us the words of the absent; for they introduce words by the eye, not by the ear.
I walked in a desert. And I cried, ‘Ah, God, take me from this place!’ A voice said, ‘It is no desert.’ I cried, ‘Well, But - The sand, the heat, the vacant horizon.’ A voice said, ‘It is no desert.’
Then I felt that every inflection of my voice, every word in my mouth, was a lie, a play whose sole purpose was to cover emptiness and boredom. There was only one way I could avoid a state of despair and a breakdown. To be silent. And to reach behind the silence for clarity or at least try to collect the resources that might still be available to me.
Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.
If no one speaks out for [young readers], if they don’t speak out for themselves, all they’ll get for required reading will be the most bland books available. Instead of finding the information they need at the library, instead of finding novels that illuminate life, they will find only those materials to which nobody could possibly object... In this age of censorship I mourn the loss of books that will never be written, I mourn the voices that will be silenced — writers’ voices, teachers’ voices, students’ voices — and all because of fear.
We still need a voice that thinks before it speaks.
It is within you that the ghosts acquire voices.
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
We live in an age disturbed, confused, bewildered, afraid of its own forces, in search not merely of its road but even of its direction. There are many voices of counsel, but few voices of vision; there is much excitement and feverish activity, but little concert of thoughtful purpose. We are distressed by our own ungoverned, undirected energies and do many things, but nothing long. It is our duty to find ourselves.
Billie Holiday's voice was the voice of living intensity of soul in the true sense of that greatly abused word.
If my words did glow with the gold of sunshine And my tunes were played on the harp unstrung Would you hear my voice come through the music Would you hold it near as it were your own?
Music can be all things to all men. It is like a great dynamic sun in the center of a solar system which sends out its rays and inspiration in every direction... It is as if the heavens open and a divine voice calls. Something in our souls responds and understands.
This approach to voice is designed to liberate the natural voice and thereby develop a vocal technique that serves the freedom of human expression. The basic assumption of the work is that everyone possesses a voice capable of expressing, through a two- to four-octave natural pitch range, whatever gamut of emotion, complexity of mood, and subtlety of thought he or she experiences.
To free the voice is to free the person.
When I talk to the National Alliance on Mental Illness (NAMI) and other patient support groups, I take questions at the end. At one talk I was asked, "What's the difference between yourself and someone without mental illness?". At another talk I was asked, "How do you make the voices be not so mean?". I wish I knew.
More safe I sing with mortal voice, unchang'd To hoarse or mute, though fall'n on evil days, On evil days though fall'n, and evil tongues.
All too infrequently do I encounter a new voice as delightful, compelling, and intelligent as that of Molly Tanzer.
Very few people in prison have voices that go beyond the wall. It's my job to do the work for them because they have no one.
The things, good Lord, that we pray for, give us the grace to labour for', as Sir Thomas More expressed it. The inner voice of prayer expresses itself naturally in action, just as the inner voice of my brain guides all my bodily actions.
Lizz Wright is my favourite singer. Her voice moves me and takes me to another place. She also grows her own food and that inspires me.
Along the way, I've had different advice from different music producers. I've been told to tone it down, that the quiet parts of my voice are appealing and there's harshness to the loud part of my voice.
First, we can pray in communion with the Church on earth and in heaven. Let us not underestimate the power of so many voices united in prayer!
Then there’s Isabel Leonard, as the male character, Sesto. Her voice has the rich, fragrant depth of sandalwood and she looks so sublimely boyish yet fulsomely feminine that she combines the best of both genders. I adored her.
The writer has two kinds of faith: actual writing and sitting openly. Have faith in your personal effort or sweat. And faith in God, or whatever you want to call it. Then the voices will come. Faith is the big deal.
I see myself today as Sitting Bull trying to bring a voice of Easternism, holism, community-based thinking to a very Western culture.
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