I've loved the "Star Wars" movies for the ride and pure fun and found that it just didn't stand up when asked for more, particularly when it comes to back stories, prequels, spin-offs, encyclopedic scope, etc.
Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
As a child I always steered clear of science fiction, but in the autumn of 1977 the bow-wave of publicity for the first Star Wars movie had already reached me, so I was eager for anything science-fictional.
If one of your best friends is making a Star Wars movie, you're not gonna not abuse that privilege. I defy anybody to say otherwise!
The first script was one of six original stories I had written in the form of two trilogies. After the success of Star Wars, I added another trilogy. So now there are nine stories. The original two trilogies were conceived of as six films of which the first film was number four.
I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.
The reason the first three Star Wars movies were so terrific, and the second three sucked so bad, is actually very simple. The first three were about rebels, shooting guns and driving fast, and speaking with American accents. The second three were about politicians, discussing treaties and holding court, and speaking with British accents.
In researching this volume, I interviewed veterans who had been at the front during World War II. I read countless books, examined film footage, and listened to many detailed and intense stories firsthand, but the one comment that affected me the most came from a former soldier who lowered his gaze to the tabletop and said, ‘I never watch war movies.
Terry Kitchen asked me one time why, since I had so few gifts as a husband and father, I had gotten married. And I heard myself say: "That's the way the post-war movie goes.
When I finally got up to Industrial Light And Magic to work on the 'Star Wars' movies as a model-maker, it felt like dying and going to heaven.
Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look.
I did do a war movie, 'Windtalkers.' That was a lot of action. But once you've done one big action/war movie, you don't need to do another one.
Here's an easy way to see if a war movie is being truthful: If you see an explosion on a faraway hillside and the sound of the explosion and the detonation of the bomb happen at the same time - if they're putting the sound and the vision together in the same moment - they're going toward our cultural understanding of war, not the reality of war.
There was a Russian director named Elem Klimov, who did his films during the communist days. They were constantly struggling with the authorities and to be allowed to express themselves. But he did one of the best war movies I've ever seen - it's called 'Come and See.'
When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.
If you watch the first [Star Wars] movie, you don't actually know exactly what the Empire is trying to do. They're going to rule by fear -- but you don't know what their endgame is. You don't know what Leia is princess of. You don't yet understand who Jabba the Hutt is, even though there is a reference to him. You don't know that Vader is Luke's father, Leia is his sister -- but the possibility is all there. The beauty of that movie was that it was an unfamiliar world, and yet you wanted to see it expand and to see where it went.
The 'Star Wars' movie is coming out. Disney has kept the details of the movie under wraps because they're not Sony.
Four guys go out and four guys go in like the storm troopers in the Star War movies.
For me, Glasgow is all about the people and the spirit of the place. You have enough Greggs bakers, though, Ill say that. The opening of the 1977 Star Wars movie was possibly the only time Ive seen a longer queue round the block than in Glasgow for sausage rolls. That was quite an eye-opener.
Everything is so superb and breathtaking. I am creeping forward on my belly like they do in war movies.
I love Apocalypse Now because it's a war movie, but yet it's not really a movie about war.
I collect old first and second World War artifacts and things. I'm a little secret history nerd. I've been lucky enough to do quite a few war movies too so I've taken little things off each film.
In the original 'Star Wars' movie, there is a small toaster-sized and shaped robot on the Death Star that guides Stormtroopers to where they need to go. I always liked that robot because I could imagine how to build it - and it served a real purpose.
I have a suspicion, because if you look at the whole, all the [Star Wars ] movies, the backlog of every one of these movies, there's a lot of great stuff, but one might not be not as good with the writing in this or the acting in that or the directing in that, this has great actors, great directors, great script, and I really feel like we're gonna make the best one [movie with Young Han Solo].
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