I had gotten pregnant with Apollo, and I didn't plan on that - it was just such a beautiful miracle. Four weeks later they called me and, like "Do you want to do The Voice?" It was this incredible opportunity to do something different.
I took what worked for me and found I had a system that others were interested in and seemed to work for a wide number of people. It was recognised by other martial artists, grandmasters and such, and they gave me the recognition. I'm proud of my work in martial arts. I still teach but only once a week in a private class, and I train a couple more days a week.
It really is great. Especially having people who we make fun every week come on and poke fun at themselves is really cool, I love that. No reality star has been mad at me yet for making fun of them. I'm sure that one day soon though, someone is going to take a swing at me.
Hours is an understatement. I honestly don't know how the director and editor decide each week what actually makes it on the air. There's of course director and cast commentary on each episode on the DVD. We had a blast recording that.
Life sort of shrinks and you get older, I don't know if I'm going to have time to do all the things and be all the places as I want to be. Wisconsin's really sacred for me, so no matter what happens, where I end up permanently living, I'll be spending weeks and weeks at least of the year, no matter how many years I live, in the northwestern Wisconsin area.
I don't wanna preempt an announcement next week. And there's a lot of technical aspects to it. And if I - say - that we're doing one thing. then the markets might interpret it differently from what it ends up being.
I think that the FDA has not been able to catch some of these things as quickly as I expect them to catch and so we’re going to be doing a complete review of FDA operations. At bare minimum, we should be able to count on our government keeping our kids safe when they eat peanut butter. That’s what Sasha eats for lunch. Probably three times a week...
I love what I do and I love being part of the storytelling process. And I love the technological advancements. It was the thing that kept me going on every 20-hour day, 7 days a week. You have to love it to do that.
I was a very good student until about sophomore year, and that's when I just became so disillusioned with the whole thing that I just became an awful student. I was still making good grades. But I was cutting class three days a week and faking papers that I got off the internet.
I've never been healthier. I haven't had a cigarette in two years. I run four or five miles, four or five times a week. I've been healthy and having a really good time.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.
The idea is: You played to 100 people this week in Europe, and then next week you can play to 200. It's an investment in that territory. But it can lose money because it's very expensive to go to Europe. You can't really just say, like, "Oh, we're gonna take our van and drive to California tomorrow." It's more like, "Oh, we have to fly to London and rent three guitar amps, a bass amp, drums; buy all these flights for four people; hire a driver."
I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.
We'll work on relaxation strategies and also changing the times you go to bed will actually make them sleep a little bit less for a few nights so their body's natural sleep drive starts to kick in. That is very effective in about 60% to 70% of patients who do it, four to eight sessions, not even every week; it works for 60% to 70% of patients.
If you're going somewhere East from here, generally what you want to do is you want to try to have your bed time earlier and earlier so what we'll do is I'll have someone adjust for a week or two by going to be 15 minutes earlier and getting up 15 minutes earlier every night. So that can be a really simple thing.
I work seven days a week and I work about 12 hours a day, from the beginning of September to about the end of May; the school year. I take two days off, Christmas and New Year's, Thanksgiving sometimes - two and a half. And the result is that I bonded myself to my desk.
I know that what keeps me interested in my job and in the medium in general that what makes every few months more interesting, or newly interesting every few weeks, is the idea that everything is changing, that the ideas that you think are sacrosanct and unimpeachable suddenly are up for grabs again.
For me, the process always has to be pretty intense. I could never write just two or three days a week. It had to be every day.
I had almost nothing published until I had something published in Sports Illustrated. I started there as a fact-checker two weeks after I got out of college and was there for almost 20 years.
It's pretty difficult to promote something the week after Christmas and the week before New Year's.
Your skin is your largest organ, and it wants to breathe. There are so many times, like Fashion Week, when you [need to] think about all the stuff your skin and body have absorbed through makeup and products and all this stuff.
I lost my phone and I just really didn't look for it. It was the nicest feeling, like six weeks. ... A couple of times I needed to use a telephone, and I was always able to touch someone that had a telephone and say, "Hey, can I use your phone? May I please?" And they'd say, "Sure." And that was it! So it was OK, it was a real vacation. I took a real vacation from myself.
There was, like, a week straight of shooting, where, like, all I did was shoot a machine gun. And I hate to - every - it went against all my Jewish and Canadian instincts, but I enjoyed every second of it.
I'd moved to L.A., and everyone's actors here and writers, they were like super emotional and super in touch with their feelings, and it seemed like every two weeks one of my friend just coming to me and, like, you hurt my feelings the other day, dude.
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