I used to get letters saying, 'I didn't know black children and white children were the same.'
When I go through the airport and see white women walking through the airport barefooted, like athlete's feet don't exist, there's something wrong.
I never thought I'd see the day that I would see white folks as frightened, or more so, than black folks was during the civil rights movement when we was in Mississippi.
It was an unwritten law that black comics were not permitted to work white nightclubs. You could sing and you could dance, but you couldn't stand flat-footed and talk; that was a no-no.
Prisons are fascinating places, especially when the inmates are educated white-collar types.
When a sports movie really works, it gets you on all levels, because the stakes are high. It's black and white. It's win or lose.
I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again. My wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but it's - I don't really think too much about it.
If black people mistrust white people, they are mistrusting racism, and that is appropriate.
My fondest hope is that 'Roots' may start black, white, brown, red, yellow people digging back for their own roots. Man, that would make me feel 90 feet tall.
It was 100 feet of 16 mm black-and-white film of a car coming to a stop sign, and driving off. I had to decide how to frame and light it. It was magic. There was a sense of mystery.
People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
There isn't any great mystery about me. What I do is glamorous and has an awful lot of white-hot attention placed on it. But the actual work requires the same discipline and passion as any job you love doing, be it as a very good pipe fitter or a highly creative artist.
What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.
White collar conservative flashin' down the street, Pointing that plastic finger at me, Hoping soon my kind will drop and die, But I'm gonna wave my freak flag high.
I do remember doing shows strictly in black and white, too, so you're right.
NBC was trying to convert all of their local programming to color right away to encourage the sale of the sets, so I barely remember working in black and white, although I do know that I did do it, but there was not a major difference, though.
Most of the time, I'm in khakis and a white T-shirt. I'm a total Gap girl. Super casual, hair in a pony tail and no makeup.
All this stuff is so mind-blowing to me that I get to do in my life. Throwing the first pitch out at the White Sox game on a random Wednesday? Like who am I? How did I get this life? I'm glad I'm not jaded, and little kids are the least jaded people in the entire world, so it's fun to be around people that still find wonder in how cool things are.
The culture is going into a psychological depression. We are concerned about our place in the world, about being competitive: Will my children have as much as I have? Will I ever own my own home? How can I pay for a new car? Are immigrants taking away my white world?
There's been some research in cognitive science, I'm told, that discloses that there have always been perhaps 10 to 15 percent of people who are, as Pascal puts it, so made that they cannot believe. To us, when people talk about faith, it's white noise.
I'm so disturbed when my women students behave as though they can only read women, or black students behave as though they can only read blacks, or white students behave as though they can only identify with a white writer.
I don't have to be an imitation of a white woman that Hollywood sort of hoped I'd become. I'm me, and I'm like nobody else.
I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
How are things visible? Can you see an egg against a white background? Not by drawing a line around it can you make it evident.
Remember those black-and-white films with Frank Sinatra? Those guys looked like men and they were only 27! Listen to Otis Redding singing 'Try A Little Tenderness'. That was a man who understood what a man has to know in the world. Show me a real man now! Where are they?
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