The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug.
It's a white-knuckle roller-coaster ride.
Oh, 'twould be marvelous if the world and its moral questions were like some game board, with plain black players and white, and fixed rules, and nary a shade of grey.
I like stories of the classic hero, of good versus evil, the ones in which the good guys wear white and the bad guys wear black... and I love a good sword fight.
Applause is interesting, but I'm a monster with or without it. Something is either well written or it isn't. 'White Rabbit' is not well written, and no amount of applause or royalties can convince me it is. I could have done a better job with those lyrics. They didn't say what I wanted.
'White Rabbit' was mostly done in about two days, the music in about half an hour. The music is a 'Bolero' rip-off and the lyrics a rearrangement of 'Alice in Wonderland.' You take two spectacular hits and throw them together, and it's hard to miss.
You either evolve or you don't. I don't like old people on a rock n' roll stage. I think they look pathetic, me included. And the fact that I represent an era means I can't just go out there and do all new stuff. They would all say, 'Sing 'White Rabbit,'' and I'd say no? That's rude.
Major problem for Black women, and all people of color, when we are challenged to oppose anti-Semitism, is our profound skepticism that white people can actually be oppressed.
In Birmingham, Manchester or Liverpool there are white gangs that share the same backgrounds - they come from broken homes, completely dysfunctional, mums for the most part unable to cope, the fathers of these kids completely not in the scene.
I wanted to be a great white hunter, a prospector for gold, or a slave trader. But then, when I was eight, my parents sent me to a boarding school in South Africa. It was the equivalent of a British public school with cold showers, beatings and rotten food. But what it also had was a library full of books.
In black neighborhoods, everybody appreciated comedy about real life. In the white community, fantasy was funnier. I started looking for the jokes that were equally hilarious across the board, for totally different reasons.
I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
I played in front of every conceivable audience you could face: an all-black audience, all-white, firemen's fairs, policemen's balls, in front of supermarkets, bar mitzvahs, weddings, drive-in theaters. I'd seen it all before I ever walked into a recording studio.
We are the only class in history that has been left to fight its battles alone, unaided by the ruling powers. White labor and the freed black men had their champions, but where are ours?
After all the black man has been through in this world, he can still often reach levels of spirituality the most pampered white man cannot touch. Maybe what he's been through is the reason why.
I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.
I'm sickened by all religions. Religion has divided people. I don't think there's any difference between the pope wearing a large hat and parading around with a smoking purse and an African painting his face white and praying to a rock.
In the early days I had a very black-and-white view of everything. I think that's kind of natural for anyone who's just embraced Islam - or any religion - as a convert. It was important for me to duck out of the fast and furious life I'd been living as a pop star. I was in a different mood.
I support Alice Waters in her desire that there be a vegetable garden at the White House. I don't think they should rip up the Rose Garden, because that's something that I love. They should probably dig up another patch and grow some vegetables there.
I loved old black and white movies, especially the Fred Astaire and Ginger Rogers musicals. I loved everything about them - the songs, the music, the romance and the spectacle. They were real class and I knew that I wanted to be in that world.
I don't start writing a script until I can see it all in my head, then it's a matter of getting it down in white heat.
Betty White is probably a very nice woman.
I don't like to feel like I'm some fragile package that has to be shipped by high-priority mail and handled with white gloves.
Doubts are like stains on a shirt. I like shirts with stains, because when I'm given a shirt that's too clean, one that's completely white, I immediately start having doubts.
The race for the White House is normally an event suffused with drama, sucking eyeballs to the page all over the globe.
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