My mum still wonders when I'll get a real job. These are the questions we discuss at our family dinners.
If you look at Michigan generally speaking. You look at the big auto plants that are being built in Mexico and you look at what is happening with respect to Mexico is like the eighth wonder of the world. And Michigan is getting killed.
When I see nature, when I look into the sky, the dawn, the sun, the colors of insects, snow crystals, the night stars, I don't feel a need for God. Perhaps when I can no longer look and wonder, when I believe in nothing - then, perhaps, I might need something else. But I don't know what.
Walt Disney, of all people, did a good job of describing his own netony. "People who have worked with me say I am 'innocence in action,'" he wrote. "They say I have the innocence and unselfconsciousness of a child. Maybe I have. I still look at the world with uncontaminated wonder."
The capacity for "uncontaminated wonder," ultimately, is what distinguishes the successful from the ordinary, the happily engaged players of whatever era from the chronically disappointed and malcontent. Therein lies a lesson for geeks, geezers, and the sea of people who fall in between.
Having been brought up among the biologists and having followed various debates about ways to improve the human template and other debates about the true nature of our nature, I began seriously to wonder: What if? We hold in our hands a tool that is more powerful - for good or ill - than any we have wielded before.
I think there's a part of all of us that wonders how we would survive on an island untouched by Man. Even better, an island untouched by Man and inhabited by King Kong.
My books have three W's on them, which are "words," "wisdom," and "wonder." Words inevitably lead to wisdom, and wisdom inevitably leads to wonder and awe at this phenomenal world around us.
As girls are given dollies and pushchairs while little boys are frowned upon for picking them up; while men are 'congratulated' for occasionally 'babysitting' their own children and women are castigated for daring to combine motherhood and career; while baby changing facilities are provided in women's toilets but rarely in the men's, is it any wonder we tend to take on the roles society stereotypically pushes on us when it comes to caregiving?
I don't like to think in terms of writing ten or twelve pages a day. Usually I'm writing a scene, and it's always with the idea, "I wonder what is going to happen." Or sometimes I write about something that affected me emotionally the day before and that I don't want to lose. I'm very unorganized at first; but finally it comes into a structure where consciously I'm working on a novel per se.
I think the United States is currently a kind of wonder - wonderland with the president Trump speaking on subjects of his choice, some of which are entertaining, but none of which are very strategically substantive.
I've never been one to say I know exactly that we're in the last days, but there's some things happening these days, both good and bad, that make me wonder if we may be heading into the final generation. One of the good things that's happening is that little by little we're taking the gospel to the whole world. But at the same time there is this resistance.
I was raised to give back. I was born to immigrant parents and was fortunate to become successful at an early age. I've always felt a strong sense of national service to my country, and I may have been able to provide leadership in the political arena. I don't regret the decision not to enter politics, I just wonder sometimes if I could have changed anything.
I like to bring a certain sense of humanity and detail to my work, and watercolor allows me to do that. I have fascination and wonder about the line and transparent quality or properties in watercolor. I use watercolor to give voice to what I would like to talk about.
People have always been fascinated by people in the public eye and what they wear, what they are doing, but not in a tabloid way. Tabloid celebrities are a turnoff. A lot of celebrities...you wonder why they are celebrities.
I know this will sound naïve, but I often wonder what America would be like if our national ethos was simply to minimize suffering. Period. To try, every day, to convert our wonderful wealth and national energy into the cessation of suffering wherever we find it. Imagine if that was our national mindset. Well, we can-we must-dream.
Yes, we know more than ever before, and it's a wonder that we get to inhabit a world full of driverless cars and 3D printers. But that doesn't mean that we know any more about the essential things in life - love, faith, death - and it would be dangerous to assume we did. The only thing that gets us through sometimes is a proper, humbled sense that we don't have a clue, we can't be sure what's going to happen next and life will always be much larger than our ideas of it.
I wonder if books become in essence "files" if people wouldn't write them differently. I'm used to writing print books and I enjoy the slowness of the whole process. It makes me more deliberate about everything I say.
It's probably simply a matter of temperament that I never stopped to wonder if I could "match" what I had done, never choked off my writing by competing with myself, or with anybody else for that matter. My ambition was absolutely centered on the work itself, never on what it would bring me, or "who" it would make me. I never cared about that at all.
As we know, there are companies like Monsanto filling the Earth with their genetically-modified poison, which makes me wonder how many people share our belief that it's better to be good.We have to change the world!
I still wonder if the United States realizes how much planning went into this. When we talk about "mindless terrorists," we are lying to ourselves.
I do feel that both visual artists and writers look out at the world in a similar way, and wonder at what they see. They want to record the visual world in their own, distinctive ways. We could call it "attention to detail," which also makes a good carpenter, for instance. To be what Emerson called the "transparent eyeball" (which is a phrase that makes me a little queasy) is a noble quest, I feel. It's a quest for honesty, and as Frost put it, a momentary stay against confusion. If I had more talent and courage, I would still love to be a painter.
I feel everything very strongly, and that is why I am an actress. I have made such clear connections between some of my chronic boo-boos in my body and emotion. It is kind of fascinating. I really feel like as a society, we need tap into that and embrace that more and more instead of wondering why we are sick.
While writing, you are more interested in seeing what happens with you in the process, because all that writing is just you sorting through and exploring and wondering and figuring out your thoughts.
This artistic uprising we had the other night in Washington Square park: there was poetry, there was dance, there was song, there was spoken word; and people left feeling so inspired and so energised. We have to get ourselves out of this syndrome of trauma and being re-traumatised. Art releases this energy. It exposes us to wonder again, and magic again, and ambiguity - all the things we need to really keep going and fighting and resisting in these times.
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