I definitely want to go back to the theatre. It is hard work, it is repetitive, but it is intensely rewarding.
We wait for the tortoises to come. We wait for that lady who walks them. That’s how art works. It’s never a jackrabbit, or a racehorse. It’s the tortoises that hold all the secrets. We’ve got to be patient enough to wait for them.
I really like to experiment. That's the only way I can work. It's instinctive.
The new Galliano will be even bigger and better... I love working, it's my therapy. I can draw until four in the morning every night and not feel tired... I've come face to face with my demons, medicine and alcohol. I have rebuilt myself again.
Glamour's my thing. The glamour is what got me into this business in the first place. I lived in a fantasy world in order to survive. Now that I'm here, I plan to work it. That means playing the part--long, tight dresses, slick! Unless you rise to the occasion, Hollywood doesn't really exist.
This partisan decision by a packed GOP state Supreme Court takes away worker's rights to bargain for a safe place to work. It underscores the need to vote for me in Aug. 12th primary. As governor, I will call a special session of the Legislature on day one to restore workers' rights, health care and retirement.
I went back to work right away [after prison]. I was very lucky — a friend of mine created a job for me at his company. Most prisoners who come home face really significant challenges when it comes to finding work. It’s very, very hard for most people who have a criminal record to get a job. I think the system is very wasteful of taxpayers’ dollars. It’s also very wasteful of human potential. I found that most people whom I was locked up with were, you know, good people who have skills and value. Prison is a missed opportunity to nurture those things.
Cheaters are people who have a lot of stuff to work out, and they're working it out on your time and with your heart.
What I think I do is to relate any new material to how similar it is to something else. The closest that I can come up with something that's already in my experience, the easier it becomes. All I have to do then is remember where it differs, like relating a chord sequence that comes from some other tune, or several different tunes, or maybe parts of them and then work it from there.
The older I get, the more of a recluse I turn into. I love the social aspect of my work. It’s like a commune and gets very intense and very sociable. Then when I am not working, I shut myself away, so I can see myself living up a mountain.
If diplomacy has any chance to work, it must be coupled with a credible military threat.
Beginning a novel is always hard. It feels like going nowhere. I always have to write at least 100 pages that go into the trashcan before it finally begins to work. It's discouraging, but necessary to write those pages. I try to consider them pages -100 to zero of the novel.
The economy is growing, productivity is high, trade is up, people are working. It's not as good as we'd like, but -- and to the extent that we find weakness, we'll move.
There's definitely some pieces in there that reflect on my personal life, but really, they aren't as personal as everybody thinks they are. I would like them to be more personal. The emotions, the songs themselves are personal. I can't do it - I've tried to write personally and it just doesn't seem to work. It would be too obvious. Some things that you could read in could fit into anyone's life that had any amount of pain at all. It's pretty cliche'.
I think the Space Shuttle is worth one billion dollars a launch. I think that it is worth two billion dollars for what it does. I think the Shuttle is worth it for the work it does.
I'm often wary of using the word 'inspiration' to introduce my work -- it sounds too much like a sun shower from the heavens, absorbed by a passive individual enjoying an especially receptive moment. While that may be the case on rare occasions, the reality is usually far more prosaic. Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing.
It's hard to decide how to match words to music. It's not like it's twice the work. It's always difficult for me to explain to the composer what I'm looking for. I'm not a professional; I lack even basic knowledge about writing music
This Golden Globe nomination is sweet validation for the years of hard work it took to bring Coraline to life using stop-motion animation with the greatest crew of animators, artists, and technicians I've ever been privileged to work with. I share this nomination with all of them and we all share our thanks to the Hollywood Foreign Press.
There is a world-old controversy that crops up whenever women attempt to enter a new field. Is a woman fit for that work? It would seem that a woman's success in any particular field would prove her fitness for that work, without regard to theories to the contrary.
Problems, however, are rarely solved on the spur of the moment. They must be organized and dissected, then key issues isolated and defined. A period of gestation then sets in, during which these issues are mulled over. You put them in your mind and consciously or unconsciously work at them at odd hours of the day or night - even at work. It is somewhat analogous to trying to place a name on the face of someone you've met before. Often the solution to a problem comes to you in much the same way you eventually recall the name.
What I remember best from those times is the music itself. When it succeded, we took hold of the audience's attention, working it from a distracted, unshaped mass into spun beauty, passing the fine strands back and forth until we wove together something grander, not only music but memory, too-the particulars of past and present, stretched taut across a loom of timeless ideals. Harmony. Symmetry. Order.
A man who works evil against another works it really against himself, and bad advice is worst for the one who devised it
The designer has an obligation to provide an appropriate conceptual model for the way that the device works. It doesn't have to completely accurate but it has to be sufficiently accurate that it will help in both the learning of the operation and also dealing with novel situations.
Oh, she's my bodyguard. I mean, I'm a married man, and the last thing you need in that situation is to be considered a sexy individual. But I try to never let this whole McDreamy thing really influence us. I'm trying to just have a calm family life, to make my marriage work. It's not as if when my wife asks me to take out the trash, I say, 'Um, honey, don't you realize that I'm too sexy for that'? Well, actually, I do, but she gives me crap for it.
The opposite of play isn’t work. It’s depression. To play is to act out and be willful, exultant and committed as if one is assured of one’s prospects.
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