You learn by writing short stories. Keep writing short stories. The money's in novels, but writing short stories keeps your writing lean and pointed.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness.
Not that the story need be long, but it will take a long while to make it short.
To produce a mighty book, you must choose a mighty theme.
And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.
There is nothing to writing. All you do is sit down at a typewriter and bleed.
You can't wait for inspiration. You have to go after it with a club.
We write to taste life twice, in the moment, and in retrospection.
Substitute "damn" every time you're inclined to write "very"; your editor will delete it and the writing will be just as it should be.
Writing is turning one's worst moments into money.
Science fiction writers, I am sorry to say, really do not know anything.
No tears in the writer, no tears in the reader.
The worst enemy to creativity is self-doubt.
If there's a book you really want to read, but it hasn't been written yet, then you must write it.
Writing a book is a horrible, exhausting struggle, like a long bout with some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.
One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.
I was writing short films and I was going through this really, really, really terrible end of a relationship that I didn't want to be going through. It was too much for me to process and all of a sudden I had this idea for my first feature film and I knew right away I had to start writing it.
I think the few writers who influenced me most in writing short stories are Alice Munro and Grace Paley. They're very different, and I can't do what they do, but reading them gives me hope that I'll learn something from them.
I was really into writing short fiction and also photography when I was a kid.
There's a joy in writing short stories, a wonderful sense of reward when you pull certain things off.
I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
I think I'm someone who can prattle on a long time about something, which serves me well as a novelist, but it's the enemy when I'm writing short stories.
If writing novels is like planting a forest, then writing short stories is more like planting a garden.
If writing novels is like planting a forest, then writing short stories is more like planting a garden. The two processes complement each other, creating a complete landscape that I treasure. The green foliage of the trees casts a pleasant shade over the earth, and the wind rustles the leaves, which are sometimes dyed a brilliant gold. Meanwhile, in the garden, buds appear on the flowers, and colorful petals attract bees and butterflies, reminding us of the subtle transition from one season to the next.
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