I've never written about my husband, Steve, or any of my children because I know them all too well. I see them in all their complexities which makes them impossible to render on the printed page.
I don't think I could have written what I did any earlier.
I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.
When you're teaching creative nonfiction, it helps to have written about your life in a very open way, because you can say, 'Look, how much are you willing to risk emotionally to write? How careful can you be with the other people you're writing about?
I found out about reviews early on. They're mostly written by sad men on bad afternoons. That's probably why I'm less angry than some writers, who are so narcissistic they consider every line of every review, even a thoughtful one, as major treason.
From the time I could play the piano, I remember trying to write tunes. They were in my head, and I would just sit down and start noodling. Next thing I knew, I had written a melody.
We do not get to this age to be written off. Older people can act as a support system, which is what happens more in Mediterranean countries. People become much wiser as they get older and we should value that.
I have not written a perfect sentence, in the literary sense. It's a lot easier to throw a perfect pass than to write a perfect sentence, if that sentence is meant to perform more than a mechanical function.
I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.
Proust is a hero of mine. I read 'A la recherche' in one go, and I'm a very slow reader. It had an astonishing impact, reading it on my own and being my main company. I think Proust is the most intelligent person to ever have written a novel.
The Indian story has never been written. Maybe I am the man to do it.
When you are out of favor, so to speak, it's not just the reviewers. It's the editors, the publishers, they don't want you anymore, you're just gone and you've been written out of history as effectively as the old Stalinists would write someone else out, take their photograph out of a book.
I've really never written about my relationships, or things like that. I wouldn't want to divulge things that were too private.
It is difficult, if not impossible, to argue that laws written in the 1970s are adequate for today's intelligence challenges.
In every thriller written about Washington, particularly after 9/11, there are good guys and there are bad guys, and there's no gray area at all.
Victor Young had been hired to write the score for the dances of The Ten Commandments but he became very ill. You were then hired to write the score. But at the same time you'd written The Man with the Golden Arm score.
And now, since I've been governor since last January, I have written numerous letters to the administration in regards to securing our borders with absolutely no response. So we have been facing this crisis, and it's devastating the people of Arizona. And I feel as governor I have a responsibility to protect the citizens.
Israel is still the only country in the world against which there is a written document to the effect that it must disappear.
There has been so much rubbish written up in the papers over the years.
Limp Bizkit is my main priority, but my side project, Black Light Burns, is still a labor of love. We have a record written, so we'll see when that comes out. When we tour, we go out in a van and trailer with me driving.
My first book, 'Running Loose', was censored back in 1983 or '84. Every book I've written since has been censored somewhere.
We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.
The more alone I am, the more focused I can get. I've written things with people, some of which I liked and others I think are total travesties. Collaborating is trying to make a piece of music and get someone else to come up with the ideas. What's the fun of that?
Like so many aspiring writers who still have boxes of things they've written in their parents' houses, I filled notebooks with half-finished poems and stories and first paragraphs of novels that never got written.
I mostly write about the working poor. Somehow, they're not being written about much anymore. I'm very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
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