I'd have liked to have leant against walls in thrillers.
I think so, Silence of the Lambs was a great, suspenseful thriller and I would expect Red Dragon to be similar. And I think it's very character driven.
I love horror, I love scary movies, I love thrillers. If things creep you out and spook you? I love it.
The movies that made me want to make movies were action movies, and thrillers, and Kurosawa films, you know, where you have an opportunity every day to shoot it in an unusual way. I was looking for something like that.
You can't do psychological thrillers. There's no audience. I've heard this. I've heard this from studios.
I don't like writing straight-up thrillers. I like writing about families hurled into crisis and danger - soccer moms and regular dads and husbands who might have to rescue their daughters or who are, say, hedge fund managers and have one foot on the sidelines watching their kids and the other in nefarious cover-ups and conspiracies.
I don't get a chance to be funny with the thrillers. I like to be funny, and I think I am really funny. So with 'Middle School: The Worst Years of My Life', it was fun to let loose.
For me, a good thriller must teach me something about the real world.
For me, a good thriller must teach me something about the real world. Thrillers like 'Coma,' 'The Hunt for Red October' and 'The Firm' all captivated me by providing glimpses into realms about which I knew very little - medical science, submarine technology and the law.
Thrillers are like life, more like life than you are.
Thrillers have been traditionally very masculine books; the women characters often rather decorative.
The intricacy of plotting a thriller is akin to writing formal poetry.
I think everyone should read The Girl on The Train, especially if they loved Gone Girl. It's about Rachel, a girl who sees a couple on her commute. Then one day she sees one of the people from the couple kiss another person. The next day they go missing. The story is told by 3 different perspectives, all characters you absolutely can't trust. It's an insane psychological thriller that's seriously addicting and the kind of book you can't put down.
About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell... I defy anybody to read the first page and not keep going to the last.
As long as thriller authors teach us about our world, they'll be relevant.
You don't ever see a thriller with a spiritual backbone.
As Ralph's character begins to discover the political thriller aspect of the film, he falls deeper in love with his wife, so the two run together. That's the beauty of this film. It has fast pace and excitement, but it also has heart and soul.
Ultimately, a great thriller is a roller coaster ride. I like to think that's a promise I have never failed to keep, and one that I'd say has served my books well.
Real politics is messy and morally ambiguous and doesn't make for a compelling thriller.
People talk of me as being the inventor of the legal thriller.
An awful lot of thriller writers write women rather badly. So just doing it OK gets a lot of credit.
I've always been fascinated by books. When I was young, my grandfather used to hand out a book - which would be anything from a biography to a classic - to me every week and ask me to write a piece on what I thought about it. On the other hand, my mother used to love reading thrillers and bestsellers.
The best movies now are called 'thrillers.' Because if you use the word 'horror,' people's associations are straight-to-video crap.
It is a political thriller. It's very action packed and it's very exciting, but at the same time it's a very big soulful love story about longing and loss. They're not separate, they're completely dependent on one another.
She understood now why her friend Elizabeth, with her near-genius, analytical mind gave wide berth to murder mysteries, psychological thrillers, and horror stories, and read only romance novels. Because, by God, when a woman picked up one of those steamy books, she had a firm guarantee that there would be a Happily-Ever-After. That though the world outside those covers could bring such sorrow and disappointment and loneliness, between those covers, the world was a splendid place to be.
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