If youre going to reach for it, reach all the way for it. Albums like Purple Rain and Thriller and those kind of records, you had to reach far above the din of cynicism and modern living to get to that place, against all the odds.
Two bones fell down my chimney and into the bedroom this morning. Hysterical thing to happen to a thriller writer. Murderous ravens perhaps?
I prefer thrillers but when its thriller/horror, I like it. The gore is not very important to me, I prefer suspense. But I like dark films.
I enjoy a special collegiality among other writers in the thriller community. They call me Canadas scariest writer, and I love that.
I got into reading a lot of noir and a lot of thrillers as well, and I really admired the plotting about those and the way that they can surprise you. And obviously to surprise people and to have twists in the tale, you have to plan quite carefully.
I love thriller writers. My favourites are Harlan Coban, Lee Child, Ian Rankin, Kathy Reichs and Ed McBain.
I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy.
If you look at the best-seller list, it is mostly thrillers. Very few books attempt to create an image of the life we live. I knew there were writers who wore tweed coats and lived in Connecticut and somehow made a living, and that's what I aimed to do. I've tried to write as well as I can with books that say something to any reader.
I just want to work with talented people who are enjoyable to be with, and take big huge risks from high comedy to deep, dark, brooding drama, to thriller. I just want to go back and forth.
As an adult, I really don't watch much horror, to be honest. I mean, I like a good thrill. Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump. But what I don't like is the gore. I don't like gratuitous violence and killing and all that kind of stuff. So it's kind of an interesting paradox.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.
Truly I never thought of myself as writing legal thrillers, and I still don't think I do. I write stories about women.
A good writer can set a thriller anywhere and make it convincing: the trick is to evoke the setting in such a way that it highlights the crime or unsettles the reader.
The wildest ride in modern crime novel exoticum. A novel so steeped in milieu that it feels as if you've blasted to mars in the grip of a demon who won't let you go. Read this book, savor the language-it's the last-and the most compelling word in thrillers.
I think it is immensely difficult to get the U.S. interested in non-U.S. topics. I dont think this is because the average American reader is disinterested, but more because of publishers playing it safe: if a thriller based in L.A. is a sure winner, why spend money plugging one based in Paris - or Bangkok?
For the best part of my childhood I visited the local library three or four times a week, hunching in the stacks on a foam rubber stool and devouring children's fiction, classics, salacious thrillers, horror and sci-fi, books about cinema and origami and natural history, to the point where my parents encouraged me to read a little less.
The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?
In France, it's always about life, normal life. We always stick with these realistic things. So when French people are dreaming about American movies, they go and see the thrillers, and Westerns, and science fiction, huge entertaining movies.
For me, to take a movie and travel the world and go and work with these cultures and an international cast and have this spy thriller that's not just about character but also action and suspense, they're very challenging films as a producer to make, creating stories, creating set pieces that serve this character [Ethan Hunt].
I would have turned any offer down, if it had turned into a thriller. I would have seen no point in a thriller here. I don't need to entertain people, on top of what we were doing. It's not a question of whether he did it or not. I would have thought that was banal and uninteresting, and I wouldn't care. And it could have also turned into a shoot-out because there were a lot of guns in the film.
This is much more than your typical thriller. Tim Johnston has written a book that makes Gone Girl seem gimmicky . . . Johnston is an excellent writer. You want to set this one down so you can take a breath, and keep reading--all at the same time.
Even if you've sworn to yourself never to read vampire fiction again, do yourself the favor of reading Motherless Child. Glen Hirshberg has crafted a compelling, heartbreaking thriller full of character, grit, and sorrow. Bravo
Collins masterfully blends fact and fiction...transcends the historical thriller.
'Good as Gone' goes from zero to 60 in under six seconds and never lets off the gas! If you like your thrillers filled with nonstop action in a race against time through Europe's underbelly, hop in and take a ride.
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