I flew out here on Southwest Airlines. Southwest has a plane that's painted like Shamu the whale from Sea World. Yeah, that'll be easy to find if that went down in the ocean. That'll be nice, when you're trying to get out and a real whale's humping your window.
I remember after I dated this white man, nobody said anything but there was a couple of men in my family that joked after that. 'Oh yeah, we had a party when y'all broke up. Hee hee hee.' And, you know, they laughed, and it was like light and a joke. But, you know, that's real. That was real and they let me know. And, it's almost acceptable within our culture to be prejudiced toward whites because of our history. This country is loaded with racism .
My own show with Sterling Ruby, for example, seems like such a huge disconnection from Dior couture, but then I think, yeah, in both collections there was a very strong focus on the human hand and the actual work of people making garments. So in that sense, they were completely related. But I didn't realize that during the process.
Yeah, you always have to be there and remind people of you. It's complicated when you do music, or when you do anything in general. You need time. I don't know if it's because of the weather or what, but [Canadians] seem to have a relationship to time that I like very much.
If you're a songwriter, you want to write a song like "Oh Yeah" that radically shifts everything. You can definitely retire on that song. You want to have something you can put in your songbook that everybody can recognize, whether it's a good or bad thing.
It's not so much less pressure, it's less work, which is really exciting to me. I'm just personally looking forward to being able to spend a little more time doing different things, so that's really great. Jay and I are writing a book this year which is really fun and so yeah, I am very excited to spend less crazy 12-hour days on set. Those were taxing times.
Yeah it's completely different, it's matured tenfold. We wrote the first album over five years as teenagers but now we've got the opportunity to do InMe full-time. We've got closer together, we've got a better connection.
I just feel like I'm an artist that still has set a standard for artists that come up to follow and be like...So, yeah, I guess I'm a legend somewhat, I guess in my own right, but I still got a long ways to go.
Yeah, I was a brother on the streets of Compton doing a lot of things most people look down on but it did pay off. Then we started rapping about real stuff that shook up the LAPD and the FBI. But we got our message across big time, and everyone in America started paying attention to the boys in the hood.
Down is an incredibly important band to me. And there's one other project that may be a little tough for people to understand - it's not sonically heavy, but subject-wise it's absolutely heavy. It's a band that I've been in for many, many yearsm and I've just been waiting for the right itme, and boy, it sure is the right time. So, yeah, you will hear music from Philip Anselmo again, and it ain't gonna be nothing nice.
Yeah, but before anything, I think in 6 years somehow I've grown up to have a beautiful home, 2 beautiful stepchildren, a beautiful husband, my family is healthy and happy. I'm financially ok and I do what I love for a living. That's what I think, and I think god, how did I get so lucky.
A lot of times there were big mistakes, but I would show the art director and he'd say, Yeah, let's go with it. There would be a strange cropping or one girl in focus and three out or a blur. But I would end up liking the mistakes and incorporating them into my work. And I became known for it.
A lot of weird ads. Sally Struthers with that little kid: 'Just 55 cents, the price of a cup of coffee, feeds this kid and his family for a week.' Yeah, where is that? 'Cause I wanna move there.
I like psycho chicks... Yeah, you hook up with a psycho, you're gonna learn something. First thing you learn is how to sleep with one eye open.
When I trip, I feel like that's the world saying come here for a second. It just pulls me closer for a second, yeah what do you want? I just want to remind you that you're uncoordinated. I'm aware of that, thank you... can I go now? Yeah, you can go, but never ever try to outrun me. Ok, world, see you later. Yeah, I'll see you in about 50 years.
I enjoy fame except when I'm with my daughter. Kids stop me all the time and I don't want her to be jealous of the attention. Also, sometimes I just want to be left alone and I refuse to make rubber faces. That's when they start asking, What's the matter, man, don't you like your job? I say, Yeah, I like my job. But I also like having sex, and I'm not going to do that in front of you either.
Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.
When you sign on to say, "Okay, yeah, let's develop this," usually that turns into, "Oh, he's doing it." But there's no script for some of these things.
As you get older and as your situation changes, it becomes different. Yes, I have to provide for my family, so if there's a chance that I'm not going to be able to provide for my family, who is always number one, my kids are always number one, then yeah, maybe it's not the same. But like I said, everybody's boiling point is different and you get to that point differently and you're at peace with it.
I've learned that I don't want to be as open or public about relationships anymore. In my first relationship, I thought I could hold on to the normalcy of just being like "Yeah, we're dating," just like if it were high school and I was telling my friends. But in high school, there aren't articles written everywhere when you break up and you don't have everyone in the school coming up to you and asking what happened or sharing their opinion with you. It didn't feel like ours anymore, it felt like everybody else's.
I was a member of the band when it was just, like, a conversation at a bar. Then we constantly practiced, we played shows, we tooled around in the studio. And then, when I moved and kind of bailed on that, is when... So, yeah, for the first, 'Mass Romantic,' I was heavily involved. Then, for a couple records after that, I was not really involved at all.
I don't think it's necessarily 100-percent true. But comic books have infiltrated the mainstream Hollywood in ways that I don't think I ever would have seen or thought imaginable a while ago. But it's also cyclical. You saw it in the '80s when it became kind of huge again. And then it disappears for a while, then it comes back again, then it disappears for a while. So yeah, there's something about that.
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
That's been my forever love affair - Mexican food. But yeah it has to be something savory or cheesy. I'm not tempted by sweets.
Yeah, to bring families together I need to go away.
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