I know that I'll be writing for young adults for a long time. Mostly because I just love the readers and the teachers and librarians that I interact with.
I have a passion for children's literature. Young adult literature. I love it. I've always loved it.
And I wanted to do a movie [Moonrise Kingdom] about a childhood romance - a very powerful experience of childhood romance. About what it's like to just be blindsided, when you're in fifth grade or sixth grade, by these kinds of feelings. Along the way, I sort of mixed in some interest in "young adult fantasy" writing.
People in the know say The Giver was the first young adult dystopian novel.
I see now that dismissing YA books because you're not a young adult is a little bit like refusing to watch thrillers on the grounds that you're not a policeman or a dangerous criminal, and as a consequence, I've discovered a previously ignored room at the back of the bookstore that's filled with masterpieces I've never heard of.
The movie, like the book before it, is an expertly built machine for the mass production of tears. Directed by Josh Boone 'Stuck in Love', with scrupulous respect for John Green's best-selling young-adult novel, the film sets out to make you weep - not just sniffle or choke up a little, but sob until your nose runs and your face turns blotchy. It succeeds.
TRUTH: When a child believes he must win to be worthy, when young adults define themselves by what they do and not who they are, it is a kind of slavery a slave master would envy.
I actually was rebelling as all young adults tend to do at or around the age of 19, to experiment with their lives and have fun.
I used to act in television commercials when I was a kid and a young adult.
This book blew me away. Kelly Parra writes with the keen eye of an artist. Graffiti Girl is warm, gutsy, and true-to-life - an unflinching, honest portrayal of young adults. A seamless and impressive debut.
The most significant thing about the Monkees as a pop phenomenon is that we were the only TV show about young adults that did not feature a wiser, older person.
I tend to not use the word "socialist," because even though more young adults in the United States in a poll say they support socialism than do capitalism, the word socialism doesn't have a lot of meaning in this country.
Rousseau ranks among the great educational theorists of the modern era, even if he was the last man to put in charge of a classroom. Young adults, he thought, should be allowed to develop their capabilities in their distinctive way.
If there is any one thing most needed in this time of tumult and frustration, when men and women and youth and young adults are desperately seeking for answers to the problems which afflict mankind, it is an "iron rod" as a safe guide along the straight path on the way to eternal life, amidst the strange and devious roadways that would eventually lead to destruction and to the ruin of all that is "virtuous, lovely, or of good report."
There was a time, from 1935-1946, when teenagers and young adults danced to jazz-orientated bands. When jazz orchestras dominated pop charts and when influential clarinettists were household names. This was the swing era.
I thought I’d been condescended to as an Indian - that was nothing compared to the condescension for writing Y.A.
In a culture defined by shades of gray, I think the absolute black and white choices in dark young adult novels are incredibly satisfying for readers.
I write books for young adults because I truly connect with them on some very deep level. They are our hope, our future, and inspiring them to be the best they can be is very important to me.
When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.
The distinction has blurred between young adult and adult books. Some of the teen books have become more sophisticated.
There isn't a lot of poverty literature in the young-adult world. And I don't know why that is, but I think certainly I felt a gap.
Divorce in a young-adult novel means what being orphaned meant in a fairy tale: vulnerability, danger, unwanted independence.
Universities used to prepare young adults for the real world. I dare say the graduates today go in without a clue and graduate without a clue. It's time to acknowledge the college degree is not worth what it was in the past. Times are changing, and so is the way we prepare our youth to survive in a competitive world.
The nature of human beings never changes; it is immutable. The present generation of children and the present generation of young adults from the age of thirteen to eighteen is, therefore, no different from that of their great-great-grandparents. Political fads come and go; theories rise and fall; the scientific 'truth' of today becomes the discarded error of tomorrow.
I avoid the young adult section altogether if possible, although it's sometimes fun to catch a girl lying on the floor, reading "Gossip Girl."
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