And Darkness and Decay and the Red Death held illimitable dominion over all.
We've evolved from sitting back on our tripods and shooting wildlife films like they have been shot historically, which doesn't work for us.
And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.
Some cameras are heavier and need to be on tripods. Others are small enough to hide in your pocket. There are places where you don't want to feel like you are disturbing anything, so I may use a camera like that.
I think the equipment you use has a real, visible influence on the character of your photography. You're going to work differently, and make different kinds of pictures, if you have to set up a view camera on a tripod than if you're Lee Friedlander with handheld 35 mm rangefinder. But fundamentally, vision is not about which camera or how many megapixels you have, it's about what you find important. It's all about ideas.
It is difficult to see anything but infatuation in the destructive temperament which leads to the action ... that each of us is to rejoice that our several units are to be distinguished at death into countless millions of organisms; for such, it seems, is the latest revelation delivered from the fragile tripod of a modern Delphi.
For suppose that every tool we had could perform its task, either at our bidding or itself perceiving the need, and if-like the statues made by Dædalus or the tripods of Hephæstus, of which the poet says that "self-moved they enter the assembly of the gods" - shuttles in a loom could fly to and fro and a plectrum play a lyre all self-moved, then master-craftsmen would have no need of servants nor masters of slaves.
...photographers who carry 60 pounds of equipment up a hill to photograph a view are not suffering enough, although their whining causes enough suffering among their listeners. No, if they really expect us to respect their search for enlightenment and artistic expression, in [the] future they will drag the equipment up the hill by their genitals and take the view with a tripod leg stuck through their foot.
It would have been possible to structure my photographs in such a way that no indicators of the present were discernible. However, I wanted to incorporate into the project as a whole the jostling of time-frames I would feel as I set up my tripod on various rocky promontories.
And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revelers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.
He felt so lost, he said later, that the familiar studio felt like a haunted valley deep in the mountains, with the smell of rotting leaves, the spray of a waterfall, the sour fumes of fruit stashed away by a monkey; even the dim glow of the master's oil lamp on its tripod looked to him like misty moonlight in the hills.
There are ways of angling the camera. I don't just use a tripod. The only time I did that was in '88 when I first came out of detox, I spent every day doing self-portraits to fit back into my own skin. I didn't know what the world looked like - what I looked like - so in order to fit back into myself, I took self-portraits everyday to give myself courage and to fit the pieces back together. I used a tripod then.
I once recommended [in a San Francisco Chronicle column] that a third arm - a plastic arm - be sewn at the base of the spine so that people could have a tripod to sit on while waiting in line, and it was taken seriously.
My preference is that, that day when someone sticks a tripod in front of you with a camera on the top, it is not day one.
I'm too impatient to use a tripod.
Africa - You can see a sunset and believe you have witnessed the Hand of God. You watch the slope lope of a lioness and forget to breathe. You marvel at the tripod of a giraffe bent to water. In Africa, there are iridescent blues on the wings of birds that you do not see anywhere else in nature. In Africa, in the midday heart, you can see blisters in the atmosphere. When you are in Africa, you feel primordial, rocked in the cradle of the world.
But my heart is always propped up in a field on its tripod, ready for the next arrow.
I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part.... I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture.
To be sure the landscape can't run away, and yet I always fear that it may. [Sometimes] I must set up my tripod, so I worry that the landscape may disappear the next second and I don't stop keeping an eye on it while I get prepared. Then, when pressing the shutter, I hold my breath. These moments are the greatest joys in my life, as if I were undressing the most beautiful woman in the world - that is, if she will allow herself be undressed. If the photo is a success, it means that she was willing. If not, it has been a lovely dream.
We used hand-held cameras 50 years ago. It wasn't something new. Sometimes we used a tripod, or we'd have a tracking shot, and sometimes - like when a character was being chased - we used a hand-held camera because it was right for the scene. In those cases, it helped the mood; it created immediacy and a feeling for the viewer that they were in the scene and in the moment.
or simply:
