I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.
I think we're going to see the day where commercialized television will not exist anymore, it's going to be vertically integrated.
I've been saying in the press that being a NY Post investigator reporter is an oxymoron.
I've been so good in so many movies that nobody saw.
I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.
I've worked with Steven Spielberg three times. I'm proud to say that I'm one of those actors that continues to get hired by the same directors.
In private some critics have come up to me afterwards and told me they honestly enjoyed the movie. Then they'd tell me that they're still going to have to write it up negatively.
Let's face it, 80 percent of the work I do my kids can't see.
That's another reason I did Daredevil: I didn't get killed off in it.
One thing that's great about being a character actor is that a movie doesn't rest on your shoulders. If it bombs, it won't hurt my career.
There aren't any small parts, only small paychecks.
They've been talking about Pi, which I haven't seen, they've been comparing it to Usual Suspects, Sixth Sense, and Fight Club, and I didn't see that either.
It's all about people. It's all about the subjectivity of what people love.
Actors always have opinions.
Good actors are a dime a dozen, but I want actors that are gonna be part of my team and collaborative.
I don't like directors that just say, Stand there and now do this.
The greatest leading man, in my opinion, will always be Cary Grant.
It's such a luxury to be able to be happy about going to work in the morning.
In a sluggish economy, never, ever f*** with another man's livelihood.
Twelve to 15 years of acting school, and I am being a bird.
What the hell did I do in the 80's? Midnight Run. A perfect movie. Just a perfect movie.
You'll never see me in the red leather. I don't have the chin for it.
When you work for Bruckheimer, you don't get it any better. He's the ultimate producer. I've had the good fortune of working with some great producers over the years.
When I interview somebody, I look at their resume to see what they've done, who they've worked with, and how many times. If they've gotten repeat work. Those are the kinds of actors I want to hire.
Who owns the NY Post? 20th Century Fox. Talk about vertical integration.
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