Nick Cave Quotes About Songs

Quotes about: Songs

• I want to write songs that are so sad, the kind of sad where you take someone's little finger and break it in three places.

  Nick Cave

  Song, Writing, Three

  "Biography/Personal Quotes". www.imdb.com.

• The love song must be born into the realm of the irrational, absurd, the distracted, the melancholic, the obsessive, the insane for the love song is the noise of love itself and love is, of course, a form of madness.

  Nick Cave

  Song, Love Is, Insane

• I don't like those songs where you have to listen to a story to get into them. I don't want to have to pay attention to music in that way, I just want it to hit me in the heart and do what music's supposed to do.

  Nick Cave

  Song, Heart, Attention

• There's an element to songwriting that I can't explain, that comes from somewhere else. I can't explain that dividing line between nothing and something that happens within a song, where you have absolutely nothing, and then suddenly you have something. It's like the origin of the universe.

  Nick Cave

  Song, Somewhere Else, Elements

  "Nick Cave is not in the business of telling people what to do". Interview with Christopher Kompanek, www.avclub.com. April 8, 2013.

• The songs that I like are the ones that you can't visualize, that are just cries from the heart - those very straight, direct songs that make rock & roll music so wonderful.

  Nick Cave

  Song, Heart, Rocks

• I don't write happy songs. Who does? I don't know anybody who writes happy songs, really.

  Nick Cave

  Song, Writing, Doe

• The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.

  Nick Cave

  Song, Writing, Problem

  "Nick Cave is not in the business of telling people what to do". Interview with Christopher Kompanek, music.avclub.com. April 8, 2013.

• The actualising of God through the medium of the love song remains my prime motivation as an artist.

  Nick Cave

  Song, Motivation, Artist

  Falco, Nick Cave, Allen Ginsberg (2002). “Viva la poesia”

• I'm unable to really write the kind of song that doesn't have a visual element, which most songs don't.

  Nick Cave

  Song, Writing, Elements

• I just want to leave this world with a massive catalog of songs.

  Nick Cave

  Song, World, Want

• The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.

  Nick Cave

  Song, Writing, Ideas

• I write songs from the point of view I had at a time;I'm not tryingto write songs from a young person's point of view.That only ends in disaster.

  Nick Cave

  Song, Writing, Views

  Source: pitchfork.com

• There's that kind of song, "Whoah baby, I love you," which doesn't have a visual element, but a very strong emotional element, and these are the great songs to me - those ones that you put them on and they just make you feel great, or whatever.

  Nick Cave

  Song, Baby, Strong

• I've always hated narrative songs. I hate those songs where, basically, it's an unfolding of a story.

  Nick Cave

  Song, Hate, Stories

  Interview with Andrew Dominik, www.interviewmagazine.com. May 30, 2013.

• The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.

  Nick Cave

  Song, Writing, Character

• When I start writing songs, and they come easily, I'm always very suspicious. That usually means they're reminding me of something I've already done before. When the songs become unsettling, and I feel anxious about what I'm doing, that usually means it's going to be more interesting later on when we actually record the stuff.

  Nick Cave

  Song, Writing, Mean

  "Nick Cave on the Evolution of His Music". Interview with Simon Abrams, www.esquire.com. January 28, 2014.

• What you're really after when you see a film or listen to a song is a singular vision, and I'm not sure how much of that you really get in Hollywood.

  Nick Cave

  Song, Vision, Hollywood

  "Nick Cave: 'The greatest feat of artistic honesty would be to retire'". Interview with Alexis Petridis, www.theguardian.com. February 15, 2013.

• Songs need to have the ability to change and to grow for sure. They take on lives of their own. Some songs just don't have that capacity. They're locked within a period of time. And as soon as you take them out of that period of time, they die very quickly.

  Nick Cave

  Song, Needs, Capacity

  "Nick Cave on the Evolution of His Music". Interview with Simon Abrams, www.esquire.com. January 28, 2014.

• I've always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.

  Nick Cave

  Song, Writing, Done

• It is the haunted premises of longing that the true love song inhabits. It is a howl in the void, for love and for comfort and it lives on the lips of the child crying for his mother. It is the song of the lover in need of her loved one, the raving of the lunatic supplicant petitioning his God...The love song is the sound of our endeavors to become God-like, to rise up and above the earthbound and the mediocre.

  Nick Cave

  Mother, Song, Children

• Everybody tends to overplay live. That's just the nature of playing live. And that can be great, but it can also kill something that's special, and intimate, about a recorded version of a song. You find out very quickly which songs you can play, and which songs you do damage to by playing them live.

  Nick Cave

  Song, Play, Special

  "Nick Cave on the Evolution of His Music". Interview with Simon Abrams, www.esquire.com. January 28, 2014.

• The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.

  Nick Cave

  Song, Thinking, Editing

• I know when I sit with my band members and we're playing back a song that we've done, I know that they're experiencing it in a completely different way and hearing stuff that they're alerted to because the way the interpret the world is through their ears. Mine is through my eyes.

  Nick Cave

  Song, Eye, Different

  "Screenwriter/Composer Nick Cave Talks LAWLESS, Transitioning into Screenwriting, Guillermo del Toro’s PINOCCHIO, THE THREEPENNY OPERA, and More". Interview with Christina Radish, collider.com. August 28, 2012.

• The reason I've gotten into script-writing, which was accidental to begin with, was that I found it was a far more effective medium for violence. Which is something that I'd always written in songs, but the violence always sat strangely within a song. And I was always interested in the way in which you listen to murder ballads and things like that - these weird lines would kind of come out, like, I drug her by the hair or something - that sat weirdly in the song. Film seems to be a medium designed for betrayal and violence.

  Nick Cave

  Song, Betrayal, Writing

  "Q&A: Nick Cave and the Golden Reverb of Violence". Interview with Mike Ayers, www.esquire.com. August 29, 2012.

• I write songs in batches and then record them and then can't write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.

  Nick Cave

  Song, Writing, Age

  Source: thequietus.com

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