The battle thing is very important in hip-hop, but at the same time, I want to sit down and have a beer and listen to Rakim.
I mostly write to music, even though I know I sound free-form a lot. Then there are times when I'll have a concept and hold on to it until I come across the right music that makes a marriage.
The stuff I'm working on is quite dense. I'm seeing every four bars as a scene in a film.
You have to understand the vehicle, the form that allows you to do what you do, and why that is.
I'm doing what's in my heart at the time.
Radio makes it appear like you can get some sounds in a laptop and be the next dude. Those careers don't really last.
It mattered what someone did to allow you to have the forum to do what you're doing.
Kids don't even realize what they're up against.
There needs to be someone who can lead you in the right direction.
There's a need for pop. There's a need for radio. There's also a need to understand the brilliance and the depth of jazz and soul - and what hip-hop can be at its most brilliant and what hip-hop can be at its most simplistic.
There are situations where I'm uncomfortable saying, "I'm a hip-hop artist." In some circles, the response is like, "Oh, OK, so... you have whores and your ties are shiny?"
Unless somebody who's already eleven thousand times platinum is like, "We're ushering this project in," it's not really gonna pop commercially.
You feel pressured to do what you think the public wants, when in actuality the sales aren't reflecting what the radio is doing. Not in the least bit!
When new artists come out and they're not being cosigned or some company doesn't have a stake in it, or someone's not getting paid under the table to produce the whole record or bring it to video, the artist really suffers.
You've rarely got an artist that's not being chauffeured into the business by some huge-ass names.
Having the savvy to know what you want to say, how you want to say it, and what music you want to say it over comes with time spent and wisdom gained in a music career.
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