Jay Maisel Quotes - Page 3

Quotes about:

• It's a lot easier to take pictures if you always have the camera with you.

  Jay Maisel

  Photography, Cameras, Photographer

  Jay Maisel (2014). “Light, Gesture, and Color”, p.56, New Riders

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• If you don't have a camera, the best thing you can do is describe how great it looked.

  Jay Maisel

  Photography, Cameras, Photographer

  Jay Maisel (2014). “Light, Gesture, and Color”, p.30, New Riders

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• Never put lettering in your photos unless you want it read.

  Jay Maisel

  Photography, Want, Photographer

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• You have to learn not only from your failures. You must also learn from your successes.

  Jay Maisel

  Photography, Photographer

  Jay Maisel (2014). “Light, Gesture, and Color”, p.202, New Riders

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• It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.

  Jay Maisel

  Photography, Three, Photographer

  Jay Maisel (2014). “Light, Gesture, and Color”, p.42, New Riders

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• Sometimes as you work, you find that you are learning things about your own perceptions and motivations that are way below you consciousness. If you get lucky, you recognize what you are doing, but all too often we don't find the connection between our work and our own motivations.

  Jay Maisel

  Photography, Motivation, Perception

  Jay Maisel (2014). “Light, Gesture, and Color”, p.136, New Riders

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• You must be open to what otherwise may seem to be a detriment to your 'plans'.

  Jay Maisel

  Photography, May, Photographer

  Jay Maisel (2014). “Light, Gesture, and Color”, p.236, New Riders

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• There are rules about perception, but not about photography.

  Jay Maisel

  Photography, Perception, Photographer

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• A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.

  Jay Maisel

  Photography, Art, Thinking

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• Be aware of every square millimeter of your frame.

  Jay Maisel

  Photography, Squares, Photographer

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• Keep your mind open. You may very well learn something new about yourself and your pictures.

  Jay Maisel

  Photography, Mind, May

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• You have to let the past successes go, or you'll never be able to see anew.

  Jay Maisel

  Photography, Past, Able

  Jay Maisel (2014). “Light, Gesture, and Color”, p.202, New Riders

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• You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.

  Jay Maisel

  Photography, Thinking, Stuff Happens

  Jay Maisel (2014). “Light, Gesture, and Color”, p.224, New Riders

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• Sometimes without shooting a picture germinates in your head. Other times, you keep taking pictures of the same thing and watch the images mature and grow.

  Jay Maisel

  Photography, Watches, Shooting

  Jay Maisel (2014). “Light, Gesture, and Color”, p.62, New Riders

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• As you see something that yo want to shot and it's bearing down on you, it's important to start framing long before the subject gets close to you. The light will reveal itself possibly long before you want to take the image, but you have to wait until the picture comes to you, and if you've been anticipating carefully when the subject will be in position, the background will have been figured out in advance.

  Jay Maisel

  Photography, Light, Long

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• Since the background is as important as the subject, you mustn't let it default by chance. You must control not only vertical and horizontal, you must be aware of the depth of field (or lack of it) that you want in the background.

  Jay Maisel

  Photography, Important, Want

  Jay Maisel (2014). “Light, Gesture, and Color”, p.66, New Riders

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• When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.

  Jay Maisel

  Photography, Opportunity, Two

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• I don't see light as something that falls, but as a positive force.

  Jay Maisel

  Photography, Fall, Light

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• Color is seductive. It changes as it interacts with other colors, it changes because of the light falling upon it, and it changes as it becomes larger in size.

  Jay Maisel

  Photography, Fall, Light

  Jay Maisel (2014). “Light, Gesture, and Color”, p.5, New Riders

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• When we are given gifts, we must be quick and able to accept them.

  Jay Maisel

  Photography, Able, Photographer

  Jay Maisel (2014). “Light, Gesture, and Color”, p.156, New Riders

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• Each picture you take has power as long as it brings experience to the person who’s looking at it.

  Jay Maisel

  Photography, Long, Photographer

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• You need minimum color for maximum effect.

  Jay Maisel

  Photography, Color, Needs

  Jay Maisel (2014). “Light, Gesture, and Color”, p.182, New Riders

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• You must not think of yourself as looking at the stage from the audience. You must think of it as theatre in the round and look at it from all sides.

  Jay Maisel

  Photography, Thinking, Theatre

  Jay Maisel (2014). “Light, Gesture, and Color”, p.16, New Riders

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• Always wait for the trigger. The trigger is the final part of the puzzle, the reason you want to shoot.

  Jay Maisel

  Photography, Waiting, Finals

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• I take pictures, and they are there for the taking. I'll tell you a quote that I have always thought about. Arthur Miller said, I try to create the poem from the evidence.

  Jay Maisel

  Trying, Arthur, Said

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