There are so many decisions in making a movie.
I enjoy doing digital work. I enjoy sculpting digitally. I've had my digital sculptures on covers of the top digital magazines.
I do fat people and these makeups are really hard to do, but I want to make monster movies.
When you're working on a movie you always hope that people will go for it and enjoy what you're doing.
I always wanted to make aliens that looked like '60s aliens.
It's funny: I've been very successful and done a lot of films, and I don't really have an agent - I don't really pursue jobs, I let people come to me.
I'm not really listed anywhere; I don't know how people find me!
Sometimes we think of a creature like a person in a suit, but then you have limitations of two eyes and two legs - they have to see and breathe. I got more into puppetry because it offered more possibilities.
When I do a mask, I do try to put a lot of character and a lot of expression into the sculpt.
So many people of my generation all grew up with that shock theater package on television of 'Frankenstein,' 'Wolfman,' 'Dracula,' 'Mummy,' all the Universal stuff.
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