Strangely enough a lot of my ideals are christian in a sense but I don't like the way that religion is portrayed in America but, I think, the album "Antichrist Superstar" really expresses, when you look at the lyrics it expresses, how I feel. I mean it's based in individuality and, strength and believe in yourself, believe in, you're your own god.
Films and things like that are really my first love and, so when we get to make videos it's just as important as the song. To me it's not a commercial, for me it's a whole work of art on it's own so, we plan on working on a movie and things like that in the future so.
I think guilt is the biggest problem in America, people are always feeling guilty about being themselves. You can't say what you want because it's not politically correct. You can't look like you want because you, the people at the office aren't going to like you and so on.
I'm not afraid to express the different elements of my personality, and I think there's a bad habit in America now to, label people having multiple personalities, things like this, but it's, I feel like, even on the album I describe myself as a hydra which is, many heads, many different personalities.I don't think you need to be one specific person when you can be many.
When I was a kid I really didn't have my own opinions and then sort of transformed into this angel which is really Marilyn Manson and then the final stage is Antichrist Superstar which is the more nihilistic, totalitarian element in everybody's personality, that, is a real struggle on the album and in my life, between that power.
As a kid I was, constantly terrorized with the idea of Armageddon and the Antichrist and things like that and as I got older, I realized that, something like Antichrist is the collective disbelief in God.
I always felt, rather than play by the mainstream standards, we've always done what we do and the mainstream has finally decided to, like that but, we've only gotten more extreme so, the band hasn't got more commercial, it's just that more people understand where we're coming from so more people are in to it.
For me, it's never been an ego situation where I have been "I'm the boss; expletive you." It's always been a situation where someone comes to me and says "I can't tolerate working with you anymore" and I would admit sometimes I wouldn't blame them for that. But I also sometimes think I'm not that difficult to figure out. I don't really know what has driven people to be so angry and bitter - people like my old keyboard player Pogo, who I've known for such a long time. I feel bad for him, but there are grievances with everything.
Looking back, the only person that really surprised me was Chris Vrenna only because I've known him since 1992, and for him not to be able to say it to my face, "Hey, I don't want to do this anymore." Instead, he said "I'll see you tomorrow" and then he never came back. I find that strange. I don't know if he is afraid of me or thinks I'm going to beat him over the head with something. I'm not like that.
I didn't go to guitar school and I don't know how to play chords, but I can do it in my own way and I think sometimes that will piss off some guitar players who sit around playing their stuff all day long and then there are people who like that.
People drink to numb the pain and suffering. I think it's the pain and suffering that drive you to become an artist. The art itself should be the pain, sort of exorcising every demon and making you feel like you're a person that matters.
I've never treated anyone in my band like they're not on the same level as me. I'm not that kind of person. In the past, I have disrespected people in my band and that was my weakness. I think some people have a hard time understanding how I think.
You have to really swallow your pride and admit that you want to make a comeback. And that means that you weren't at your best and I feel like I stopped being who I needed to be. When I started making this record "Born Villain", I didn't want to be what I used to be but I certainly didn't want to be what I was at the time. I knew that I was supposed to be something better then what I was. I feel that I am close to being what I'm supposed to be and am enjoying what I'm doing here.
When people ask me about drugs and alcohol, I say "Yeah, I went to rehab, I went to a mental hospital, I've been to jail." The main lesson you can learn is do drugs and alcohol when you are in a good mood, not when you are in a bad mood, and find balance in anything you do.
I'd seen the Led Zeppelin reunion and I've never been such a huge Led Zeppelin fan as much as the Doors or Beatles. I went and saw the reunion and watching them play "Stairway to Heaven," it was very breathtaking for one reason mostly. I can imagine these two guys looking at each other, Robert Plant and Jimmy Page. Not to compare us to Led Zeppelin, but I did miss the fact that I could look over at the guy, Twiggy Ramirez, that wrote "The Beautiful People" and "Dope Show." Emotionally, it's taken a long time to repair that.
I am not as self-abusive in the manner of walking off stage bleeding. But as far as attitude, I feel that Twiggy and I have finally gotten back to the point of being brothers and clicked back into the place where we really enjoy feeding off each other onstage like we did when we started out.
Apart from a very close circle of friends, few people know my true self, and it's normal, I never put it into my music.
Marilyn Manson has always been intended to confuse some, anger some and make some people feel at home. There's no way to misunderstand what I do - but everyone can understand it differently. That's the only way I've learned to embrace art - it has to be a question mark, not an answer.
I am a character, so that's the problem. There are many, many levels to how I behave. Some people might associate being Marilyn Manson as having lipstick on, but I don't really have some sort of other lifestyle.
I put out a lot of ideas in the lyrics and the way I do my things. There's a lot of ideas floatin' around and people who know what it is. People will pick it up if they know what to pick up.
The idea of Marilyn Manson has been brewing in my head, one form or another, since I was about 12 years old at a Christian high school in Canton, Ohio.
People hate to describe their music. What we have come to call it is "beat up your mom" music. As far as describing what it sounds like, I guess you'd have to listen.
As far as the performance goes, I want to create an atmosphere, and use 5.1 sound and imagery and shape and form to transform the stage from one thing to another, as if you're watching a movie.
A lot of people don't think about it, but the Bible has every horror element that you can imagine. It's got the devil, the Antichrist, Lucifer, and Satan - which are four different characters. It's got the end of the world. You've got zombies, giants, demon possession, a lot of murder.
I hate normal studios, because you have to say "hi" to the person at the front desk. And then you go into the studio, and there's a second engineer in there that you don't know, and then you're stuck in a glass box with someone talking to you through a walkie-talkie.
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