Margaret Thatcher drove us like there was no tomorrow. But I think there is a genuine feeling now that this macho, workaholic, earn lots of money way of life has run its course. There has been a shift in attitude. People are looking for a more balanced approach.
Jesus was handling big money because that treasurer He had was a thief. Now you can't tell me that a ministry with a treasurer that's a thief can operate on a few pennies. It took big money to operate that ministry because Judas was stealing out of that bag. If you have a treasurer, that means you have a lot of money.
They wanted to 'radiofy' what I was doing. I was also in a position where I was compromised. I was much younger and maybe it is because I am Irish but there was a guilt factor when the record company pays you a lot of money, you feel obliged.
When I said that something was going to cost a certain amount of money, I actually knew what I was talking about. The biggest problem that we were having on the financing front was people with lots of money saying "you need more money to make this film [Moon]," and us saying "no this is the first feature film we want to do it at a budget where we sort of prove ourselves at the starting end of making feature films; we can do this for $5 million." That is where the convincing part between me and Stuart came, we had to convince people with money that we could do it for that budget.
NASA is increasingly not the future of space exploration. I love the fact that we have private sector folks devoting a lot of money to stimulate innovation in space technology.
Drinking again? Go to hell. All I ever do is make some movies that made a lot of money now leave me alone, I want to have some fun.
I'm making a lot of money. I should be paying a lot more taxes. I'm not paying taxes at a rate that is even close to what people were paying under Eisenhower. Do people think America wasn't ascendant and wasn't an upwardly mobile society under Eisenhower in the '50s? Nobody was looking at the country then and thinking to themselves, "We're taxing ourselves into oblivion." Yet there isn't a politician with balls enough to tell that truth because the whole system has been muddied by the rich. It's been purchased.
What I like about Layer Cake is its intelligent through-line. First of all, I think it's very close to the truth; I think this is what successful drug dealers are like. They don't drive around in flashy cars, they don't show off, they behave very quietly, they get on with their job and they earn lots of money. And it goes up and up and up and up the scale. Secondly - and selfishly - I like the moral aspect of the movie, which is that violence has consequences, and you feel emotionally involved with the violence.
My job is making money, helping other people make money. I am spending money, trying to make sure more people get rich, because you cannot spend a lot of money, right? So my job is spending money, helping others. This is a headache.
The only way to get love is to be lovable. It's very irritating if you have a lot of money. You'd like to think you could write a check: "I'll buy a million dollars' worth of love." But it doesn't work that way. The more you give love away, the more you get.
The first ads for medical marijuana have started airing on television in California. The ads are quite expensive. It costs a lot of money to buy 30 seconds during 'Spongebob Squarepants.'
There is a soak-the-rich attitude in the air, a feeling that if you have a lot of money you must have got it by some ghastly means. I can quite happily say there was never any family money. All the money we got was mine, just from writing books.
You can actually make a lot of money and do a lot of good in the world. I don't see those things as being in opposition to one another. I never have.
Google the phrase "the most hated man in America." And this guy is one of the first people to pop up. Martin Shkreli, aka Pharma Bro, a 32-year-old drug company entrepreneur and former hedge fund manager who has a lot of money and loves to talk about how he spends it.
Well, my dad was into music, but he wasn't into me being into music. In my house when I was a kid, when I was real young, my dad wanted us all to play sports, and we were jock-like. We had a lot of money. And my brother was sort of the light of our family, and he was a good athlete. And I wasn't a very good athlete, but I tried to be. And then when I was 15 my dad went bankrupt, and we moved to Houston. And I went with him, but then I went back to Portland.
It was something I enjoyed doing and decided to give it a couple years, though I'm not making a lot of money now either!
It's not selling out, it is called making lots of money.
Americans don't like any form of art, man. All they like to do is make money. They don't like me, Sammy Davis, or anybody else. They don't like nothing. They just like Sammy because he can make 'em a lot of money.
You might be a redneck if you saved lots of money on your honeymoon by going deer hunting.
[Justin Bieber]'s rich, right? Grammys are for music and not money. He's making a lot of money. He should be happy with that.
I have always made impresarios a lot of money across my career and have never, so far as I am aware, given any of them heart attacks.
I always wanted to make motion pictures, ever since I was a wee boy, and I was 32, and time was marching on. I met a guy who said, 'Come out to Hollywood for 10 days, and I'll get you a deal.' So I figured, 'OK, 10 days.' On the 10th day, he got me a development deal with Disney, not for a lot of money, but it allowed me to make the move.
I think it's easier for African American and white comics to be praised than it is Latinos because they think our culture or our humor is substandard. I mean, I just don't think they want to give us credit. I just don't think that they see us as important enough to be at their level. I'm the longest-produced comedy at Warner Bros. and I don't feel special. They come over and say hello. But everybody's gonna make a lot of money and I don't feel like I'm special to them.
At the end of the process we called a market research company to find out whom the film was for or what was the target audience. We didn't have a lot of money to release the film, so in order for it to play in cinemas, which are dominated by films with much larger marketing budgets, we had to discover whom the film was for.
I'm not just going to accept something because it's a lot of money. I'm an artist; content is incredibly important to me.
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