The great style icons are tomboys
My style is a little quirky. I can't play as fast as most professional jazz players.
Shout-out to my dad - he influenced my style when I was 17.
To me, my style is comfortable.
Some people have style without even knowing it!
A lot of my friends inspire my style, and they dont even know it.
My style is very simple, but I love Reese Witherspoon, Kate Hudson and Kate Middleton.
One unexpectedly striking moment, when Tom Amandes as Lincoln, recites the Gettysburg Address, not in booming, this-is-a-great-speech style, but casually, as if chatting over dinner. The approach elevates the words.
Material Girl is about having your own personal style, and my personal style reflects the brand's aesthetic.
Basically, my hair is very dry from all the backcombing! Hairdressers prefer if your hair is dry and damaged, as it makes it easier to style.
Bacon is like a good pair of Levi's-it never goes out of style.
A salad is not a meal, it is a style.
I think beauty is youth; it's energy. I'm attracted to imperfection, style, confidence, and experimentation. So beauty, to me, is really a lot of things. It's kind of unexpected-what surprises you.
I hate that impeccable, perfectly perfect look, all matched and prearranged. Style is to be simple.
In the philosophical dialect, a cynic takes an insult as a compliment since opposition is already his style.
I'm a child of the 70's; influenced mostly by albums that had a wide variety of style.
I stumbled on a joke idea and style that worked, the audience went with it and, from that moment on, I was hooked. It's an amazing feeling.
I don't go by trends. I wear what I am comfortable in and what suits me. It is never about what is 'in' and what is 'out'. My personal sense of style spells 'comfort'.
Style is anti-fashion; it's not about following trends.
A peculiar work in any art must not be too hastily judged. New styles have to create new tastes.
It takes talent to please the people in a sermon by a flowery style, a cheerful ethic, brilliant sallies and lively descriptions; but such a talent is inadequate. A better sort of talent neglects these extraneous ornaments, unworthy to be used in the service of the Gospel: such a preacher's sermon will be simple, strong and Christian.
Great things only require to be simply told, for they are spoiled by emphasis; but little things should be clothed in lofty language, as they are only kept up by expression, tone of voice, and style of delivery.
If our constitution had followed the style of Saint Paul, the First Amendment might have concluded: "But the greatest of these is speech." In the darkness of tyranny, this is the key to the sunlight. If it is granted, all doors open. If it is withheld, none.
We cannot by a little verbal sophistry confound the qualities of different minds, nor force opposite excellences into a union by all the intolerance in the world. If we have a taste for some one precise style or manner, we may keep it to ourselves and let others have theirs. If we are more catholic in our notions, and want variety of excellence and beauty, it is spread abroad for us to profusion in the variety of books and in the several growth of men's minds, fettered by no capricious or arbitrary rules.
Philip Kitcher has composed the most formidable defense of the secular view of life since Dewey. Unlike almost all of contemporary atheism, Life After Faith is utterly devoid of cartoons and caricatures of religion. It is, instead, a sober and soulful book, an exemplary practice of philosophical reflection. Scrupulous in its argument, elegant in its style, humane in its spirit, it is animated by a stirring aspiration to wisdom. Even as I quarrel with it I admire it.
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