Your personal style should evolve with age. To say you want the same style at 25 as at 45 is a mistake.
I think that the way to have style is to accept where your body is right now, heavier or skinnier, whether you're going to change in the future and dress it as it is. The fact is you can always find clothes. It may be harder for plus sized people, I completely understand that. But I don't believe that it's impossible to dress with style.
Information and knowledge: two currencies that have never gone out of style.
Truth is a matter of the imagination. The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust.
I am thoroughly tired of the fable style of narrative and shall do my best to get up something entirely different and possibly little more worthy.
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
The execution of William Bonin was not the traditional gas chamber of the past. That has been ruled cruel and unusual. Instead, we have something that seems very kind and benign and technical; the injection of chemicals, Nazi-style.
One can't write a weird story of real power without perfect psychological detachment from the human scene, and a magic prism of imagination which suffuses them and style alike with that grotesquerie and disquieting distortion characteristic of morbid vision. Only a cynic can create horror - for behind every masterpiece of the sort must reside a driving daemonic force that despises the human race and its illusions, and longs to pull them to pieces and mock them.
I liked being able to work with all the different producers and take what they brought to the table and bring my own style to it.
The only hope I had was when (in his youth)I saw one day a photograph of a sculpture by Wilhelm Lehmbruck, a German sculptor of expressionistic style. This was perhaps the only example, Lehmbruck, between my sixteenth to nineteenth years in which I saw a possibility for art to be principally of interest to innovate some things, instead of writing a very boring, naturalistic repetition of what is already done by nature.
[T]he effects of general change [in literature] are most tellingly recorded not in alteration of the best products, but in the transformation of the most ordinary workaday books; for when potboilers adopt the new style, then the revolution is complete.
Very little comes easily to our poor, benighted species (the first creature, after all, to experiment with the novel evolutionary inventions of self-conscious philosophy and art). Even the most "obvious," "accurate," and "natural" style of thinking or drawing must be regulated by history and won by struggle. Solutions must therefore arise within a social context and record the complex interactions of mind and environment that define the possibility of human improvement.
One of the things particularly admirable in the public utterances of President Lincoln is a certain tone of familiar dignity, which, while it is perhaps the most difficult attainment of mere style, is also no doubtful indication of personal character. There must be something essentially noble in an elective ruler who can descend to the level of confidential ease without forfeiting respect, something very manly in one who can break through the etiquette of his conventional rank and trust himself to the reason and intelligence of those who have elected him.
Strive not for singularity in dress; Fools have the more and men of sense the less. To look original is not worth while, But be in mind a little out of style.
Style is the outcome of constraint.
Le style, pour l'e crivain aussi bien que pour le peintre, est une question non de technique mais de vision. For the writer as well as for the painter, style is not a question of technique, but of vision.
I wrote without much effort; for I was rich, and the rich are always respectable, whatever be their style of writing.
In most writers, style is a welcome, an invitation, a letting down of the drawbridge between the artist and the world. Shaw had no time for such ruses. Unlike most of his countrymen, he abominated charm, which he regarded as evidence of chronic temperamental weakness.
I come from a place that likes grandeur; it likes large gestures; it is not inhibited by flourish; it is a rhetorical society; it is a society of physical performance; it is a society of style.
Resentment isn't a magnetic personal style.
The Gothic tradition was begun by Ann Radcliffe, a rare example of a woman creating an artistic style.
It was in reading Tristam Shandy that I noticed how it is primarily men who gravitate towards the game-playing self-reflexive style. There is an alienation from emotion in it, a Nervous Nelly fear of letting go and being "exposed." As an attitude towards life, it betrays a perpetual adolescence. Those who hurled themselves after Derrida were not the most sophisticated but the most pretentious, and least creative members of my generation of academics.
If you have bought one of those T-shirts with Maxwell's equations on the front, you may have to worry about its going out of style, but not about its becoming false. We will go on teaching Maxwellian electrodynamics as long as there are scientists.
The "styles" are a lie.
So you play your albums and you smoke your pot And you meet your girlfriend in the parking lot Oh, but still you're aching for the things you haven't got, What went wrong? And if you can't understand why your world is so dead And why you've got to keep in style and feed your head Well, you're twenty one and still you mother makes your bed And that's too long.
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