I want to expose and evaluate the fact that the seeing and sensing process is a system that should not be taken for granted as natural - it's a cultivated means of reality production that, as a system, can be negotiated and changed.
It was soon evident in my lodgings that I had become a dangerous lunatic, and there would be nothing left to destroy if strong measures were not taken. So I was turned out of the house, but it was only into the garden, where I was allowed to build a small darkroom of oilcloth.
I'm quite taken aback when I get something that appears to be technically a good photograph, because it's not necessarily my intention.
Some hate broccoli, some hate bacon I hate having my picture taken. How can your family claim to love you And then demand a picture of you?
I feel certain that the largest part of all photographs ever taken or being taken or ever to be taken, is and will continue to be, portraits. This is not only true, it is also necessary. We are not solitary mammals, like the elephant, the whale and the ape. What is most profoundly felt between us, even if hidden, will reappear in our portraits of one another.
The inferiority of photographs to the best works of artists, so far as resemblance is concerned, lies in their catching no more than a single expression. If many photographs of a person were taken at different times, perhaps even years apart, their composite would possess that in which a single photograph is deficient.
Every photograph is a realization of one of the possibilities contained within the program of the camera. The number of such possibilities is large, but it is nevertheless finite. It is the sum of all those photographs that can be taken by a camera.
Let me die fighting. Two years of physical suffering have taken from me twenty years of life. But the soul changes not, does it? It is there, the same madcap - Atman - mad upon one idea, intent and intense.
How come Mom is crazy and I'm not? Well, it's possible my mom could stand up in front of this many people and talk about all the crap in her life and those people could have sat around and laughed with her, it would've meant nothing and she could have moved on cool. It's also possible she could have taken out the whole front row with a large-caliber weapon.
Millions of unnecessary photos are taken every day. People stand before the Pyramids and photograph them, when for three cents they could buy postcards which show them much better.
I wish my family had taken more pictures when I was growing up. Instead of always having to draw everything.
I love New York, though I'll never eat any of the ice creams that they sell in the park. That's just disgusting. You see the little picture of them? They all have a little bite taken out of them already.
When you serve lobster, you've taken a being's life away. Therefore if you create a recipe, you have to be very dedicated to elevate the lobster, to make it good and tasty of course, but at the end of the day it's a matter of paying homage.
Our liberty cannot be taken away unless the people are themselves accomplices.
A gentleman who for reasons of chivalry I shall not mention, but who occupied grand office, and who had taken grandly of wine and allowed veritas to overcome him, went up to the Prime Minister and told her he had always fancied her, to which the Prime Minister replied, "Quite right - you have very good taste but I just don't think you would make it at the moment.
In the end, I believe that the most important influence on my aesthetic has been the photographs I have taken.
The pictures are of a psychological culture, a Jungian culture, if you will. It emanates from my own psyche... It's a hard place to get to, honestly. It has taken me many years to get to that place and to define it visually.
Before the Conquest all art was of the people, and popular art has never ceased to exist in Mexico. The art called popular is fugitive in character, with less of the impersonal and intellectual characteristics of the schools. It is the work of talent nourished by personal experience and that of the community - rather than being taken from the experiences of painters in other times and other cultures.
I use photos a lot for drawing people and personalities, but they're almost never photos that I've taken.
[William] Eggleston's photographs look like they were taken by a Martian who lost the ticket for his flight home and ended up working at a gun shop in a small town near Memphis. On the weekend he searches for the ticket - it must be somewhere - with a haphazard thoroughness that confounds established methods of investigation.
I think the best war photos I have taken have always been made when a battle was actually taking place - when people were confused and scared and courageous and stupid and showed all these things. When you look at people right at the very moment of truth, everything is quite human. You take a picture at this moment with all the mistakes in it, with everything that might be confusing to the reader, but that's the right combat photo.
It is hard to avoid the aspect of time when producing what ones sees as a photograph.... my images [are] something that is not a frozen moment, but an image made up of many moments and that is created over time rather than taken.
I think you can photograph a certain sliver of human presence in its absence... images taken in the empty rooms, the marks left on the walls, disappearing shadows, etc.
If I stage things too much and nothing changes in the act of photographing, then I might as well have not taken the picture: If the whole thing already exists in my head, then I haven't learned anything. The tension lies between the staging and the unpredictability.
When we do not know why the photographer has taken a picture and when we do not know why we are looking at it, all of a sudden we discover something that we start seeing. I like this confusion.
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