How about the more than 1 billion Muslim people in the U.S, who aren't fanatical, who don't punch women, who just want to go to school, have some sandwiches, and pray five times a day?
I don't spend too much time just kicking back.
I feel better about my life every day. My kids get older. My life is very rich and full of wonderful things. I've been very lucky, careerwise.
My professional success is really important to me, and my career is really important to me. It's the most important thing to me outside of my family. I take it very seriously and work really, really hard at it. Family comes first, but this is something that's really important to me too.
School plays are fine. Theater in school is fine.
I think when you have children, it just changes your worldview.
There's a lot of romance to sort of living by your own rules and sort of not subscribing to what society tells you to do, but society pushes back pretty strongly, so there's a lot of compromise that goes with that.
If we try to define our own moral universe, there's a price for that.
I have a good instinct for what's real and what's not. I don't have to second-guess myself.
I feel like casting is the most important aspect of making movies.
I try to cast really good actors and give them a chance to do their very best work, give them as much time and space as they need.
I'm trying to make people feel welcome and feel valued.
You have to pay people real money.
Persia is very different from the Arab Middle East in terms of architecture and language. Even though we think of them as one big Middle Eastern area, in truth, Persia's quite distinct.
I don't go back and look at the monitor between every take; I wait until I feel like we finally got it right: "Let me stop and look at that last one on the monitor."
I get to the point where I feel relaxed, and then I just shoot a ton of material and make a lot of different choices.
(I) try new things and give myself permission to fail and experiment because only that way can you get really successful.
I like to shoot until we have a relaxed environment on the set, and I try to schedule that.
I do the same thing for myself (as an actor) that I do for others.
Everyone has a different approach, but I like to shoot a lot of film anyway.
(As) a director who is a writer, I have respect for writers, so I'm less likely to step on an idea or a line.
It takes time to develop a sense of humor, shared world views.
You don't know what the pattern of flour and chicken is going to be, but you know you're going to get some good fried chicken.
If you want to be able to use the powers of Flash and Wonder Woman and Cyborg, you have to have bad guys who are up to snuff and give them what they can really kind of get their cars out on the track and open up the accelerator a little bit.
It's been reinforced to me, and it's a little cliche, but I've learned that you can't make a movie that even works, much less that's good, without really good writing and really good acting. That lesson has led me to not be distracted, so much, by the other stuff going on in filmmaking and to focus on the essence of a story, and the words and the events and the way that those are interpreted by the actors. That philosophy has taken me to a place that I really like.
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