Cold is our element and winter's air Brings voices as of lions coming down.
Of what is real I say, Is it the old, the roseate parent or The bride come jingling, kissed and cupped, or else The spirit and all ensigns of the self?
One must have a mind of winter to regard the frost and the boughs of the pine trees, crusted with snow, And have been cold a long time, to behold the junipers, shagged with ice, the spruces, rough in the distant glitter of the January sun, and not to think of any misery in the sound of the wind, in the sound of a few leaves, which is the sound of the land, full of the same wind, blowing in the same bare place for the listener, who listens in the snow, and, nothing herself, beholds nothing that is not there, and the nothing that is.
I measure myself Against a tall tree I find that I am much taller, For I reach right up to the sun With my eye; And I reach to the shore of the sea With my ear. Nevertheless, I dislike The way the ants crawl In and out of my shadow.
Fromage and coffee and cognac and no gods.
Thus the theory of description matters most. It is the theory of the word for those For whom the word is the making of the world, The buzzing world and lisping firmament.
The word is the making of the world
New York is a field of tireless and antagonistic interests undoubtedly fascinating but horribly unreal. Everybody is looking at everybody else a foolish crowd walking on mirrors.
If some really acute observer made as much of egotism as Freud has made of sex, people would forget a good deal about sex and find the explanation for everything in egotism.
It has to be living, to learn the speech of the place, It has to face the man of the time.
It is easy to suppose that few people realize on that occasion, which comes to all of us, when we look at the blue sky for the first time, that is to say: not merely see it, but look at it and experience it and for the first time have a sense that we live in the center of a physical poetry, a geography that would be intolerable except for the non-geography that exists there - few people realize that they are looking at the world of their own thoughts and the world of their own feelings.
LIGHT FROM WITHIN my friend, cancer got you damn it: you had it beat for seven years at least. how did it come back? Why all that pain. again. and you, such a fighter you fought me over and over with tears and words and promises. you fought for me with honesty and a light so bright it hurts my heart. sweet lorna. at peace now finally no more battles, just light from within a flickering candle in the dark burns with you.
Like the Sweetness of Gardenias Mother, you died 15 years ago. pain, a rapier, cut until, finally, there was just peace like the sweetness of gardenias in the crystal vase on your yellow kitchen table. so fragrant. your voice lingers in my ear reminding, scolding, guiding a pleasant mantra of tenderness, magic words that move my palms, your palms. together we are molding, helping, creating. in the mirror I see your eyes, your beautiful brown circles looking back, so radiant. "don't forget me," you whispered the day you died. I won't.
The consolations of space are nameless things. It was after the neurosis of winter. It was In the genius of summer that they blew up The statue of Jove among the boomy clouds. It took all day to quieten the sky And then to refill its emptiness again.
Money is a kind of poetry.
At evening casual flocks of pigeons make Ambiguous undulations as they sink Downward to darkness, on extended wings.
Ethics are no more a part of poetry than theyare of painting.
The muddy rivers of spring Are snarling Under the muddy skies. The mind is muddy.
The old brown hen and the old blue sky, Between the two we live and die The broken cartwheel on the hill.
There's no such thing as life; or if there is, It is faster than the weather, faster than Any character. It is more than any scene: Of the guillotine or of any glamorous hanging.
It may be that the ignorant man, alone, Has any chance to mate his life with life That is the sensual, pearly spouse, the life That is fluent in even the wintriest bronze.
After a lustre of the moon, we say We have not the need of any paradise, We have not the need of any seducing hymn.
It was autumn and falling stars Covered the shrivelled forms Crouched in the moonlight.
The wind, Tempestuous clarion, with heavy cry, Came bluntly thundering, more terrible Than the revenge of music on bassoons.
The grackles sing avant the spring Most spiss oh! Yes, most spissantly. They sing right puissantly.
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