Poor, dear, silly Spring, preparing her annual surprise!
It is the imagination pressing back against the pressure of reality. It seems, in the last analysis, to have something to do with our self-preservation; and that, no doubt, is why the expression of it, the sound of its words, helps us to live our lives.
How full of trifles everything is! It is only one's thoughts that fill a room with something more than furniture.
It is the unknown that excites the ardor of scholars, who, in the known alone, would shrivel up with boredom.
One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow
You know that the nucleus of a time is not The poet but the poem, the growth of the mind Of the world, the heroic effort to live expressed As victory. The poet does not speak in ruins Nor stand there making orotund consolations. He shares the confusions of intelligence.
In a world of universal poverty The philosophers alone will be fat Against the autumn winds In an autumn that will be perpetual.
The heavy trees, The grunting, shuffling branches, the robust, The nocturnal, the antique, the blue-green pines Deepen the feelings to inhuman depths.
Poetry is poetry, and one's objective as a poet is to achieve poetry precisely as one's objective in music is to achieve music.
On a few words of what is real in the world I nourish myself. I defend myself against Whatever remains.
How cold the vacancy When the phantoms are gone and the shaken realist First sees reality. The mortal no Has its emptiness and tragic expirations.
Trees Trees, proud standing people stretching fingertips to the sky, reaching, praying glorious attention, breathing light. strength shelter timeless confidence bending and firm comforting rooted chorus line dancing with the moon, the wind, the clouds framing bursts of stars tender rugged celebration absorbing and releasing life each holy branch holding the power of the Universe. There.
Life is an affair of people not of places. But for me, life is an affair of places and that is the trouble.
Beneath every no lays a passion for yes that had never been broken.
And what's above is in the past As sure as all the angels are.
the windy sky Cries out a literate despair.
What is there in life except one's ideas, Good air, good friend, what is there in life?
After the leaves have fallen, we return To a plain sense of things. It is as if We had come to an end of the imagination, Inanimate in an inert savoir.
Thought is an infection. In the case of certain thoughts, it becomes an epidemic.
In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. American -- on the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.
behold The approach of him whom none believes, Whom all believe that all believe, A pagan in a varnished car.
Nothing could be more inappropriate to American literature than its English source since the Americans are not British in sensibility.
I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know.
There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote on heaven's hill, that has endured As April's green endures; or will endure Like her remembrance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings.
The leaves hop, scraping on the ground. It is deep January. The sky is hard. The stalks are firmly rooted in ice. It is in this solitude, a syllable, Out of these gawky flitterings, Intones its single emptiness, The savagest hollow of winter-sound.
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