Spread outward. Crack the round dome. Break through. Have liberty not as the air within a grave Or down a well. Breathe freedom, oh, my native, In the space of horizons that neither love nor hate.
What's down below is in the past Like last night's crickets, far below.
Fat girl, terrestrial, my summer, my night, How is it I find you in difference, see you there In a moving contour, a change not quite completed? You are familiar yet an aberration.
The soul, O ganders, flies beyond the parks And far beyond the discords of the wind.
Unless we believe in the hero, what is there To believe? Incisive what, the fellow Of what good. Devise. Make him of mud.
If the hero is not a person, the emblem Of him, even if Xenophon, seems To stand taller than a person stands, has A wider brow, large and less human Eyes and bruted ears: the man-like body Of a primitive.
One sparrow is worth a thousand gulls, When it sings. The gull sits on chimney-tops. He mocks the guinea, challenges The crow, inciting various modes. The sparrow requites one, without intent.
Above the forest of the parakeets, A parakeet of parakeets prevails, A pip of life amid a mort of tails.
A languid janitor bears His lantern through colonnades And the architecture swoons.
So, too, if, to our surprise, we should meet one of these morons whose remarks are so conspicuous a part of the folklore of the world of the radio--remarks made without using either the tongue or the brain, spouted much like the spoutings of small whales--we should recognize him as below the level of nature but not as below the level of the imagination.
Success as a result of industry is a peasant's ideal.
Intolerance respecting other people's religion is toleration itself in comparison with intolerance respecting other people's art.
Our bloom is gone. We are the fruit thereof.
The genuine artist is never 'true to life.' He sees what is real, but not as we are normally aware of it. We do not go storming through life like actors in a play. Art is never real life.
Divinity must live within herself: Passions of rain, or moods in the falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The boughs of summer and the winter branch. These are the measures destined for her soul.
People ought to like poetry the way a child likes snow & they would if poets wrote it.
It is never the thing but the version of the thing: The fragrance of the woman not her self, Her self in her manner not the solid block, The day in its color not perpending time, Time in its weather, our most sovereign lord, The weather in words and words in sounds of sound.
The thinker as reader reads what has been written. He wears the words he reads to look upon Within his being.
The mind is the great poem of winter, the man, Who, to find what will suffice, Destroys romantic tenements Of rose and ice.
I placed a jar in Tennessee, And round it was, upon a hill. It made the slovenly wilderness Surround that hill.
That tuft of jungle feathers, That animal eye, Is just what you say. That savage of fire, That seed, Have it your way. The world is ugly, And the people are sad.
To name an object is to deprive a poem of three-fourths of its pleasure, which consists in a little-by-little guessing game; the ideal is to suggest.
Life is not free from its forms.
Imagination...is the irrepressible revolutionist.
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