Music falls on the silence like a sense / A passion that we feel, not understand.
Life consists Of propositions about life. The human Revery is a solitude in which We compose these propositions, torn by dreams, By the terrible incantations of defeats And by the fear that the defeats and the dreams are one. The whole race is a poet that writes down The eccentric propositions of its fate.
God is gracious to some very peculiar people.
Words of the world are the life of the world.
A diary is more or less the work of a man of clay whose hands are clumsy and in whose eyes there is no light.
It is the imagination pressing back against the pressure of reality. It seems, in the last analysis, to have something to do with our self-preservation; and that, no doubt, is why the expression of it, the sound of its words, helps us to live our lives.
It has to be living, to learn the speech of the place, It has to face the man of the time.
The grackles sing avant the spring Most spiss oh! Yes, most spissantly. They sing right puissantly.
Soldier, there is a war between the mind And sky, between thought and day and night. It is For that the poet is always in the sun, Patches the moon together in his room To his Virgilian cadences, up down, Up down. It is a war that never ends.
I measure myself Against a tall tree I find that I am much taller, For I reach right up to the sun With my eye; And I reach to the shore of the sea With my ear. Nevertheless, I dislike The way the ants crawl In and out of my shadow.
Fat girl, terrestrial, my summer, my night, How is it I find you in difference, see you there In a moving contour, a change not quite completed? You are familiar yet an aberration.
Ethics are no more a part of poetry than theyare of painting.
This mangled, smutted semi-world hacked out Of dirt . . . It is not possible for the moon To blot this with its dove-winged blendings.
What's down below is in the past Like last night's crickets, far below.
Spread outward. Crack the round dome. Break through. Have liberty not as the air within a grave Or down a well. Breathe freedom, oh, my native, In the space of horizons that neither love nor hate.
It is easy to suppose that few people realize on that occasion, which comes to all of us, when we look at the blue sky for the first time, that is to say: not merely see it, but look at it and experience it and for the first time have a sense that we live in the center of a physical poetry, a geography that would be intolerable except for the non-geography that exists there - few people realize that they are looking at the world of their own thoughts and the world of their own feelings.
Of what is real I say, Is it the old, the roseate parent or The bride come jingling, kissed and cupped, or else The spirit and all ensigns of the self?
The physical world is meaningless tonight And there is no other.
Most modern reproducers of life, even including the camera, really repudiate it. We gulp down evil, choke at good.
Cold is our element and winter's air Brings voices as of lions coming down.
It is deep January. The sky is hard. The stalks are firmly rooted in ice.
After a lustre of the moon, we say We have not the need of any paradise, We have not the need of any seducing hymn.
One must have a mind of winter to regard the frost and the boughs of the pine trees, crusted with snow, And have been cold a long time, to behold the junipers, shagged with ice, the spruces, rough in the distant glitter of the January sun, and not to think of any misery in the sound of the wind, in the sound of a few leaves, which is the sound of the land, full of the same wind, blowing in the same bare place for the listener, who listens in the snow, and, nothing herself, beholds nothing that is not there, and the nothing that is.
Money is a kind of poetry.
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