It is only in the country that we can get to know a person or a book.
Flaubert spoke true: to succeed a great artist must have both character and fanaticism and few in this country are willing to pay the price. Our writers have either no personality and therefore no style or a false personality and therefore a bad style; they mistake prejudice for energy and accept the sensation of material well-being as a system of thought.
Life is a maze in which we take the wrong turning before we have learned to walk.
A mutually fulfilled sexual union between two people is the rarest sensation which life can provide. But it is not quite real. It stops when the telephone rings. Such a passion can be kept at its early strength only by adding to it either more and more unhappiness (jealousy, separation, doubt, renunciation), or more and more artificiality (drink, technique, stage-illusions). Whoever has missed this has never lived, who lives for it alone is but partly alive.
If our elaborate and dominating bodies are given us to be denied at every turn, if our nature is always wrong and wicked, how ineffectual we are; like fishes not meant to swim.
Green leaves on a dead tree is our epitaph-green leaves, dear reader, on a dead tree.
Beneath a mask of selfish tranquility nothing exists except bitterness and boredom.
Two weeks before his death, a friend asked him half jokingly if he had discovered any meaning in life. "Yes," he replied, "there is a meaning; at least, for me, there is one thing that matters - to set a chime of words tinkling in the minds of a few fastidious people."
When I write after dark the shades of evening scatter their purple through my prose.
Hate is crystallized fear, fear's dividend, fear objectivized. We hate what we fear and so where hate is, fear will be lurking.
Poets arguing about modern poetry: jackals snarling over a dried-up well.
There is no pain equal to that which two lovers can inflict on one another. This should be made clear to all who contemplate such a union. The avoidance of this pain is the beginning of wisdom, for it is strong enough to contaminate the rest of our lives.
M is for Marx And clashing of classes And movement of masses And massing of asses.
Melancholy and remorse form the deep leaden keel which enables us to sail into the wind of reality; we run aground sooner than the flat-bottomed pleasure-lovers but we venture out in weather that would sink them and we choose our direction.
He [George Orwell] would not blow his nose without moralising on conditions in the handkerchief industry.
It is after creation, in the elation of success, or the gloom of failure, that love becomes essential.
The headmistress was an able instructress in French and history and we learned with her as fast as fear could teach us.
The disasters of the world are due to its inhabitants not being able to grow old simultaneously. There is always a raw and intolerant nation eager to destroy the tolerant and mellow.
Carelessness is not fatal to journalism, nor are cliches, for the eye rests lightly on them. But what is intended to be read once can seldom be read more than once; a journalist has to accept the fact that his work, by its very todayness, is excluded from any share in tomorrow.
Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground.
If Montaigne is a man in the prime of life sitting in his study on a warm morning and putting down the sum of his experience in his rich, sinewy prose, then Pascal is that same man lying awake in the small hours of the night when death seems very close and every thought is heightened by the apprehension that it may be his last.
The lesson one can learn from Firbank is that of inconsequence. There is the vein which he tapped and which has not yet been fully exploited.
The shock, for an intelligent writer, of discovering for the first time that there are people younger than himself who think him stupid is severe.
In the dream of approaching forty I saw myself as about to die and realized that I was no longer myself, but a creature inhabited entirely by parasites, as a caterpillar is occupied by the grubs of the ichneumon fly. Gin, whisky, sloth, fear, guilt, tobacco, had made themselves my inquilines; alcohol sloshed about within, while tendrils of melon and vine grew out of ears and nostrils; my mind was a worn gramophone record, my true self was such a ruin as to seem non-existent, and all this had happened in the last three years.
The English masses are lovable: they are kind, decent, tolerant, practical and not stupid. The tragedy is that they are too many of them, and that they are aimless, having outgrown the servile functions for which they were encouraged to multiply. One day these huge crowds will have to seize power because there will be nothing else for them to do, and yet they neither demand power nor are ready to make use of it; they will learn only to be bored in a new way.
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