I was born in the late '50s, was a child of the '60s, then the '70s, then the '80s, then the '90s, and I have mental fingers in all those pies.
Between the Dinosaur Jr. albums and his recent solo albums, 'Several Shades of Why' and 'Heavy Blanket,' J Mascis is emerging as one of the last men from all that '80s indie madness, still writing songs that you want to listen to over and over.
Probably Lloyd in 'Say Anything' is the closest to me - or to who I was at the time. It was just a great love story about people in the '80s, and we all tried to make it feel as real as possible. It was such a wonderful time. We didn't leave anything in the gym; we put it all out there.
I see a lot of people doing an "'80s thing" who weren't even born until the '90s.
There was a point in the '80s when I looked out at my audience and I saw people that - were I not on the stage - they'd sooner slug me as they walked by me on the sidewalk. And I realized that I was way beyond the choir.
The coming cooling of the planet overall will return it to where it was in the '60s, '70s, and '80s.
When I started law school I was shocked to learn that our legal system traditionally had the man as the head and master of the family. As late as the '70s and '80s when we were fighting for the Equal Rights Amendment, states like Louisiana still had a head and master law.
In the 80s, if you wanted to make electronic music, it was a much tougher and more expensive process. For many people it would involve either spending loads of money on gear or else cutting demos in a proper studio. But I had this Casio keyboard and tape recorder and used to do stuff in my bedroom - I'd listen to Mantronix and all that. That was what I had so that's what I used.
Remember the guy in the 80s walking around with a boombox on his shoulder? Why'd he do that? Because it told a story about who he was. Expressing yourself is big business.
I don't have to come back, because I am still here! And I'm not an '80s thing. I already worked with my first band back in East Germany and that was soooo '70s, young man. I'm a '70s thing. If I'm a thing at all... and an exciting thing.
I worked hard at that through most of the '80s, and in 1990 my house burned in New Hampshire, and my studios and my offices. I had to decide at what level to rebuild, and I decided that I was going to stop trying to be all things to all people, and just go back to playing the guitar.
Everybody's still in the 70s and 80s musically, still making remakes.
There was a time when emigration from Cuba was a definitive separation. There were no visits. In the '80s, '90s, it was incredibly difficult. I'm not the only one interested in this as a filmmaker - other Cuban filmmakers have dealt with it, too, because it's such a part of our reality.
There's a difference between music that's original and music that's retro. A lot of bands now are kind of retro 70s whether it's Kraut-rock or... I've heard people suggest that we're kind of retro 80s.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
My first understanding of HIV and AIDS was like everybody else from my generation. In the mid-'80s, we heard about this, and it was terrifying, because we knew nothing about how to respond to it appropriately, and we didn't really understand about how the virus is passed. There was a lot of misconception about that.
We invented our computers in the '80s. We networked them together in the '90s. Now we're giving them eyes, ears and sensory organs. And we're asking them to observe and manipulate the world on our behalf.
When I was a kid I was really into horror films. I watched every single horror film that came out in the 80s.
Fashion is not just about trends. It's about political history. You can trace it from the ancient Romans to probably until the '80s, and you can see defining moments that were due either to revolutions or changes in politics.
Our approach is to reject the old vicious circle of the '80s-rising debt, higher long-term interest rates, higher debt repayment costs, lower growth, higher unemployment, then enforced cuts in public spending. That was the old boom and bust.
By the mid-'80s, it was really apparent to me that I really needed to stop losing myself in my work and in my addictions. What happens is you just wake up one morning and feel absolutely dead. You can't even drag your soul back into your body. You feel you have negated everything that is wonderful about life. When you have fallen that far, it feels like a miracle when you regain your love of life.
It was the case in the 70s and 80s that people believed music could change the world. But now people aren't making music because they want to change the world; they're making music because they want to just make a ton of money.
I was listening to music to kind of pump myself up and get psyched up, like I was listening to Iron Maiden and Misfits and Dead Kennedys, and it was like my '80s Massachusetts parking-lot heavy metal and Guns N' Roses.
Hollywood's thinking is very typical. And it's just really predictable too. And I think at Hollywood, these box office movies are flopping. I mean, there hasn't been an original thought coming out of Hollywood since the '80s.
I am realizing how old I am 'cause I am meeting so many people that were born in the 80s, which is crazy to me that I was going through puberty and [they weren't] even alive.
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