There's just something about that late '80s that suddenly feels like it has something to teach us.
We're not trying to be deliberately frustrating, but we are laying the tracks for a mystery, and it's one that we have all figured out. We wanted this to be kind of like the way that Cliff [Chang] and I felt about the Cold War in the '80s when we were 12.
The '80s were a really different time for kids.Technology has changed so much of how we stay in touch and keep tabs on people.
There's also something happening in television similar to what happened in the '80s, when people stopped taking so many drugs and wanted to hear real instruments in music again. I think people want plot, story and characters. Those are more important than having a big star.
It got to the point in the late 70s and early 80s that I was spending so much money buying golden age comics that I could only justify it if I got work in the media.
Television is making, there was in independent film renaissance late '80s through the mid-90's. It was an amazing time. Television is doing that right now. So that's why everybody wants to do it. I mean if you're writing stuff like, you know, Fargo, or True Detective, or any of these things that are on, Breaking Bad, there are no rules in television.
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.
Reading poetry and reading the great works of the canon that we were reading in the '60s and the '70s and '80s was mind altering.
I think the action movies in the 80s and 90s were different. It was a testosterone age. Steven Seagal, Jean-Claude Van Damme and Sylvester Stallone - they fuelled my childhood. But now I don't think I'd like to do just action, I don't enjoy that.
We had some adverse conditions in the '60s, in the '70s and the '80s. The agency has risen above that in the past and will rise above that again.
[Ed Grimley] lives in a retirement home in New Jersey. It's called the Retirement Home in New Jersey for Characters Who Were Interesting in the '80s for About an Hour. He's there with the Whiners, Gumby and Jon Lovitz's 'That's the ticket' guy.
When Black Flag and DOA and all those bands were touring in the early 80s, it was kind of a forest and you just kind of got your way through it. Now it's like a six lane highway with Starbucks every twenty meters. That's just civilization.
In the '80s, I was the only game in town, I was the only one getting that kind of exposure in any rotation on MTV. Now with internet culture it seems like everyone is doing music parodies. And they're not all good!
I hate cliché. And when you're a rock singer in 1966, or whatever it was, psychedelic blues, through to the '70s, which we know all about, and the '80s, which was a scramble to hang on in, and the '90s, which was a great time for experimentation... and I'm really still excited. The huge vast diagonals within the music that I've been involved with.
In early days, I showed everything I made. There was no such thing as editing a collection. In the '80s, it got to the point where we'd have shows with a hundred looks. You'd want to order a pizza before it was over!
In the '80s, I thought I'd be a success as a woman if I were the president of a billion dollar company, had a sensitive soul-mate husband, two bilingual children, buns of steels, and a compost heap. In the '90s, I pretty much feel I'm a success if I can get through the afternoon without eating a cheesecake.
I understand that Detroit was a pretty rough place to grow up in the '70s and '80s.
I guess the cool thing about the '80s is the kind of like adventure in terms of, you know, people were very willing to use sounds that were completely ridiculous or whatever. There was a lot of stuff happening in the '80s and it's all over the place. I guess that's probably the coolest thing for me and that's what I like about it. Just kind of that like, 'Oh, what's this sound? Oh that's wacky. Let's use it anyways.'
My father painted, well into his 80s, what he called hard edge abstractions. It's really cool.
I did love horror films from the '70s and '80s. That was my sweet spot.
I was the original voice of Mattels Barbie for an 80s claymation workout video.
I don’t know what happened through the ’80s, ’90s, and ’00s that took feminism off the table, that made it something that women weren’t supposed to identify with and were supposed to be ashamed of. Feminism is about the fight for equality between the sexes, with equal respect, equal pay, and equal opportunity. At the moment we are still a long way off that.
I'm looking forward to locking swords with Douglas Henshall and working against the stunning backdrop of Shetland. I came to Scotland a lot in the '70s and '80s in various theatre productions and of course to film Hallam Foe but this is the furthest I've ever been.
I was never a big fashion person, and so I'm sure I wore whatever. I was growing, and so I just wore whatever clothes that weren't that expensive and made sense at the time. But I'm sure that I look back and say, 'What was I thinking?' My adolescence was more in the '80s, and that's more my cross to bear.
I have very fond memories of the 80s; they were very formative years for me. I certainly remember the Cold War. It was a closer doorstep for the Brits than the Americans, so it was a very real and palpable threat at the time.
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