Time is an absurdity. An abstraction. The only thing that matters is this moment.
If a painting contains no abstraction nor impressionistic elements, it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.
There is an incredibly large spectrum of possible causes for program bugs, including simple typos, "thinkos," hidden limitations of underlying abstractions, and outright bugs in abstractions or their implementation.
If people would stop objectifying abstractions (which they probably never will), or if they would stop objectifying the abstractions they make consciously (which they might learn to do), at least half the pseudo-questions befuddling the world today - as they have befuddled it since time immemorial - would vanish. And that would be a very, very great gain.
I do believe abstraction is and was meant to embody deep emotion. I believe that's its job, in the history of art.
Life is the path. Can the path be seen? Observe the path and you are far from it. Without observation how can one know they are on the path? The path cannot be seen, nor can it not be unseen. Perception is delusion; abstraction is nonsensical. Your path is freedom. Name it and it vanishes.
When a mother comes home with her new baby, she will find her abstractions are all concrete now. 'Freedom' now means being able to take a shower. 'Mobility' means being able to reach the glass of water on the dresser while not breaking the baby's suction on the breast. 'Flexibility' means being able to push the Record function on the VCR without dropping the baby.
Beauty comes from the balance between two and three dimensions, between abstraction and representation - I seek the equilibrium behind changing appearances.
Abstraction means getting away from a visual interpretation but nearer to an emotional one.
The pendulum of mathematics swings back and forth towards abstraction and away from it with a timing that remains to be estimated.
The human brain finds it extremely hard to cope with a new level of abstraction. This is why it was well into the eighteenth century before mathematicians felt comfortable dealing with zero and with negative numbers, and why even today many people cannot accept the square root of minus-one as a genuine number.
I have been interested in the dialogue of abstraction and modernist painting - and the rich history of the grid. I also think I have been influenced a bit by some of the particular qualities of the Bay Area. The weather and the atmosphere here is so exotic, like the fog rolling in and the nuanced differences in the quality of light.
The power of understanding symbols, i.e. of regarding everything about a sense-datum as irrelevant except a certain form that it embodies, is the most characteristic mental trait of mankind. It issues in an unconscious, spontaneous process of abstraction, which goes on all the time in the human mind: a process of recognizing the concept in any configuration given to experience, and forming a conception accordingly. That is the real sense of Aristotle's definition of Man as "the rational animal".
The world of physics is essentially the real world construed by mathematical abstractions, and the world of sense is the real world construed by the abstractions which the sense-organs immediately furnish. To suppose that the "material mode" is a primitive and groping attempt at physical conception is a fatal error in epistemology.
If, therefore, man has come into the world to search for God and, if he has found Him, to adhere to Him and to find repose in adhering to Him-man cannot search for Him and attain Him in this sensible and corporeal world, since God is spirit rather than body, and cannot be attained in intellectual abstraction, since one is able to conceive nothing similar to God, as he asserts-how can one, therefore, search for Him in order to find Him?
I think it's more, at least at the time, a sense of abstraction. My mind doesn't really work in a way where there's a definitive sense of something. I go one way and then it opens up into a million different ideas, and somehow, when you look at the art, Buddhist art, or particularly Tibetan art, you know, it's a similar thing. All of a sudden there are a million lotus leaves and you're following one to the next and to another, and I related to that, and it felt simple and easy to me. And it made me feel smart.
America is a simplified ideological abstraction, an emotive symbol represented by other abstract symbols like the flag. It is the object of a faithlike devotion, unencumbered by honest history.
Remember that every science is based upon an abstraction. An abstraction is taking a point of view or looking at things under a certain aspect or from a particular angle.
All that is alive tends toward color, individuality, specificity, effectiveness and opacity. All that is done with life inclines toward knowledge, abstraction, generality transfiguration and transparency.
This [terrorists attacks on 9/11] was part of nothing. It was a leap into another realm - the realm of crazy abstractions and mythological generalities, involving people who have hijacked Islam for their own purposes. It's important not to fall into that trap and to try to respond with a metaphysical retaliation of some sort.
The appearance is the allusion of abstraction when in fact I am in control of every aspect of that symmetry.
If you are going to learn mathematics, you have to learn it not simply as an abstraction but as it is applied. I always say to teachers, for goodness sake, take the kids out first to look at the stars in order to understand infinity.
I don't see those paintings as abstractions, especially because they are emblems of the inkblot. They aren't smashed together; they are constructed shape-by-shape, layer-by-layer, like any other picture.
Home is where the heart is, we say, rubbing the flint of one abstraction against another.
Lately I feel films are more and more like music. Music deals with abstractions and, like film, it involves time. It has many different movements, it has much contrast. And through music you learn that, in order to get a particular beautiful feeling, you have to have started far back, arranging certain things in a certain way. You can't just cut to it.
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