Early-twentieth-century abstraction is art's version of Einstein's Theory of Relativity. It's the idea that changed everything everywhere: quickly, decisively, for good.
It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.
Willem de Kooning is generally credited for coming out of the painterly gates strong in the forties, revolutionizing art and abstraction and reaching incredible heights by the early fifties, and then tailing off.
Abstraction is everybody's zero but nobody's nought.
Washington isn't a city, it's an abstraction.
When we are mired in the relative world, never lifting our gaze to the mystery, our life is stunted, incomplete; we are filled with yearning for that paradise that is lost when, as young children, we replace it with words and ideas and abstractions - such as merit, such as past, present, and future - our direct, spontaneous experience of the thing itself, in the beauty and precision of this present moment.
The reader must come armed , in a serious state of intellectual readiness. This is not easy because he comes to the text alone. In reading, one's responses are isolated, one'sintellect thrown back on its own resourses. To be confronted by the cold abstractions of printed sentences is to look upon language bare, without the assistance of either beauty or community. Thus, reading is by its nature a serious business. It is also, of course, an essentially rational activity.
Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker.
To make someone an icon is to make him an abstraction, and abstractions are incapable of vital communication with living people.
Developing Christlike attributes in our lives is not an easy task, especially when we move away from generalities and abstractions and begin to deal with real life. The test comes in practicing what we proclaim. The reality check comes when Christlike attributes need to become visible in our lives—as husband or wife, as father or mother, as son or daughter, in our friendships, in our employment, in our business, and in our recreation. We can recognize our growth, as can those around us, as we gradually increase our capacity to 'act in all holiness before [Him]' (D&C 43:9).
The philosopher Elaine Scarry has observed that "beauty always takes place in the particular." Cruelty, on the other hand, prefers abstraction.
I could not bear the deep freeze settling around my bones at the thought that yet another attempt to get out of my life alive would end in disappointment. Time became palpable and viscous. Every minute, every second, every nanosecond, wrapped around my spine so that my nerves tightened and ached. I faded into abstraction. A self-generated narcosis created a painful blank where my mind used to be.
Time is an absurdity. An abstraction. The only thing that matters is this moment. This moment a million times over. You have to trust me. If this moment is repeated enough, if you keep trying — and you have to keep trying — eventually you will come across the next item on your list.
The abstraction is often the most definite form for the intangible thing in myself that I can clarify in paint.
Cancer begins and ends with people. In the midst of scientific abstraction, it is sometimes possible to forget this one basic fact. Doctors treat diseases but they also treat people, and this precondition of their professional existence sometimes pulls them in two directions at once.
Physics is an otherworld thing, it requires a taste for things unseen, even unheard of- a high degree of abstraction... These faculties die off somehow when you grow up... profound curiosity happens when children are young. I think physicists are the Peter Pans of the human race... Once you are sophisticated, you know too much- far too much. Pauli once said to me, "I know a great deal. I know too much. I am a quantum ancient.".
There is nothing mysterious, as some have tried to maintain, about the applicability of mathematics. What we get by abstraction from something can be returned.
The main reason why men and women make different aesthetic judgments is the fact that the latter, generally incapable of abstraction, only admire what meets their complete approval.
If you have had your attention directed to the novelties in thought in your own lifetime, you will have observed that almost all really new ideas have a certain aspect of foolishness when they are first produced, and almost any idea which jogs you out of your current abstractions may be better than nothing.
I have painted portraits that to me are almost photographic. I remember hesitating to show the paintings, they looked so real to me. But they have passed into the world as abstractions - no one seeing what they are.
When a man knows that the abstraction ten exists - nothing on earth can stop him from looking for the fact of eleven.
I cannot worship the abstractions of virtue: she only charms me when she addresses herself to my heart, speaks through the love from which she springs.
Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.
Writing is the hammer & chisel that breaks down the established way of thinking. A concrete event, then an abstraction. An image, then a thought. Finally, writing builds another establishment with the fragments.
In 'Self Comes to Mind' I pay a lot of attention to simple creatures without brains or minds, because those 'cartooned abstractions of who we are' operate on precisely the same principles that we do.
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